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Baroque Counterpoint

Baroque Counterpoint
Author: Christoph Neidhofer
Publisher: State University of New York Press
Total Pages: 624
Release: 2024-01-01
Genre: Music
ISBN: 143849324X

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This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.


Baroque Counterpoint

Baroque Counterpoint
Author: Christoph Neidhöfer
Publisher:
Total Pages: 0
Release: 2023
Genre: Music
ISBN: 9781438493251

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The classic text on Baroque Counterpoint, enlarged and revised, drawing from the master composers of the era.


Baroque Counterpoint

Baroque Counterpoint
Author: Peter Schubert
Publisher: Prentice Hall
Total Pages: 396
Release: 2006
Genre: Music
ISBN:

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For third-year undergraduate courses in Tonal Counterpoint, Baroque Analysis courses, courses on the music of Bach and Handel, and graduate courses in Counterpoint and Baroque Music. This informative text teaches writing and understanding Baroque counterpoint. Unique in approach, Baroque Counterpoint uses extensive quotations and examples from contemporaneous treatises; the authors explain the principles underlying the compositional techniques of the period, introducing students to the widest range of composers of any of the books currently available. It emphasises singing and improvisation as well as writing.


Study of Counterpoint

Study of Counterpoint
Author: Johann Fux
Publisher: W. W. Norton & Company
Total Pages: 164
Release: 1965
Genre: Music
ISBN: 9780393002775

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The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.


Counterpoint in Composition

Counterpoint in Composition
Author: Felix Salzer
Publisher: Columbia University Press
Total Pages: 504
Release: 1989
Genre: Composition (Music)
ISBN: 023107039X

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-- Stanley Persky, City University of New York


Modal Counterpoint, Renaissance Style

Modal Counterpoint, Renaissance Style
Author: Peter Schubert
Publisher: Oxford University Press, USA
Total Pages: 372
Release: 2008
Genre: Language Arts & Disciplines
ISBN:

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The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.


The Craft of Tonal Counterpoint

The Craft of Tonal Counterpoint
Author: Thomas Benjamin
Publisher: Routledge
Total Pages: 429
Release: 2004-03
Genre: Art
ISBN: 1135946639

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


A Practical Approach to 18th Century Counterpoint

A Practical Approach to 18th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland Press
Total Pages: 335
Release: 2013-03-04
Genre: Music
ISBN: 1478608765

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Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.


A Practical Approach to 16th Century Counterpoint

A Practical Approach to 16th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland Press
Total Pages: 312
Release: 2013-03-04
Genre: Music
ISBN: 1478608757

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Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.