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Baltic Musics/Baltic Musicologies

Baltic Musics/Baltic Musicologies
Author: Kevin C Karnes
Publisher: Routledge
Total Pages: 177
Release: 2013-09-13
Genre: Music
ISBN: 1317990625

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This volume is the first to bring together music scholars working on Baltic topics from throughout Europe, North America, and the Middle East for the purpose of exploring the impact of Nazi and Soviet occupation (1940-91) and the restoration of republican independence upon the production of musicological knowledge in and about the Baltic States of Lithuania, Latvia, and Estonia. Its collected essays sketch, for the first time, post-Soviet histories of the sociological dimensions of music study in the region, and examine methodological and ethical problems raised by music scholarship. They shed new light on such topics as the advent of Lithuanian musical modernism, the ecumenicity of Christian musics in Estonia, and the effects of Soviet nationalities policy upon the Latvian musicological discourse. Together, they confront those aspects of Baltic music study that still bear the marks of the Nazi and Soviet experience, and they suggest ways in which the turbulent cultural and political histories of the region might be negotiated by scholars presently active in the field. This book was published as a special issue of the Journal of Baltic Studies.


Music and Change in the Eastern Baltics Before and After 1989

Music and Change in the Eastern Baltics Before and After 1989
Author: Rūta Stanevičiūtė
Publisher: Academic Studies PRess
Total Pages: 313
Release: 2022-11-15
Genre: Music
ISBN: 164469896X

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This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.


Baltic Musicology

Baltic Musicology
Author: Joachim Braun
Publisher:
Total Pages: 88
Release: 1983
Genre: Folk music
ISBN:

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The Routledge Handbook to Music under German Occupation, 1938-1945

The Routledge Handbook to Music under German Occupation, 1938-1945
Author: David Fanning
Publisher: Routledge
Total Pages: 589
Release: 2019-12-06
Genre: History
ISBN: 1351862588

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Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.


Traditional Music in Baltic Countries

Traditional Music in Baltic Countries
Author: Max Peter Baumann
Publisher:
Total Pages: 207
Release: 2002
Genre: Folk music
ISBN: 9783861357346

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The SAGE International Encyclopedia of Music and Culture

The SAGE International Encyclopedia of Music and Culture
Author: Janet Sturman
Publisher: SAGE Publications
Total Pages: 2730
Release: 2019-02-26
Genre: Music
ISBN: 1483317749

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The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition


A Baltic Music

A Baltic Music
Author: Guntis Šmidchens
Publisher:
Total Pages: 372
Release: 1996
Genre: Folk songs
ISBN:

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Rethinking Modern Polish Identities

Rethinking Modern Polish Identities
Author: Agnieszka Pasieka
Publisher: Boydell & Brewer
Total Pages: 385
Release: 2023-03-21
Genre: National characteristics, Polish
ISBN: 1648250580

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A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives. Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the overseas immigrant communities. The authors, renowned scholars from Europe and the United States, thus demonstrate that an understanding of modern Polish identity means crossing not only historical but also geographical boundaries. Consequently, the narrative on Polish identity that unfolds in the volume is a personalized and multivocal one that presents the perspectives of a wide range of subjects: peasants, workers, migrants, ethnic and sexual minorities-that is, all those actors who have been absent in grand national narratives. As such, the examination of Polishness sheds light on the identity question more broadly, emphasizing the interplay of pluralizing and homogenizing tendencies, and fostering a reflection on national identity as encompassing both sameness and difference.


Arvo Pärt

Arvo Pärt
Author: Peter C. Bouteneff
Publisher: Fordham University Press
Total Pages: 261
Release: 2020-12-01
Genre: Music
ISBN: 082328977X

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Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.