Avances tecnológicos en representación gráfica
Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 261 |
Release | : 2015 |
Genre | : |
ISBN | : |
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Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 261 |
Release | : 2015 |
Genre | : |
ISBN | : |
Author | : Raúl Oliva |
Publisher | : |
Total Pages | : 261 |
Release | : 2015 |
Genre | : |
ISBN | : |
Author | : Raúl Oliva Santos |
Publisher | : |
Total Pages | : 266 |
Release | : 2016 |
Genre | : |
ISBN | : |
As occurred with the blue antelope between 1799 and 1800, or the thylacine in 1936, in the year 2050, those who were educated under analogical technical drawing will constitute an extinct species. Throughout the whole of history, grand technological advances in architecture have used new materials or systems of construction. These relieved previous ones but maintained a placid coexistence. The incorporation of computers into the design process is not confined, however, to the mere replacement of a tool. It has completely crushed all prior systems of conception, drawing, development, and communication of architectural proposals. The duality of thought in architecture regarding technical advances is reflected in the dichotomy between the conception and representation of architecture used over centuries and that of today. Between the use historically of mechanical-manual procedures of drawing of the architecture and the new digital tools of representation incorporated. The graphical representation process in a project of architecture or design has always been based on a journey in which the ideas have to travel, from their conception to their communication. A journey that today, is an individual act tied from the very beginning to the essence of the architect; to the scientific and humanistic base in equal parts, and tied to its modus operandi too. It is an act immersed in an analogical and digital world in which our professional activity arises. As a consequence, it is directly influenced not just by these technical advances in graphic instrumentation but also by the circumstances and agents beyond the actual ambit of design. This thesis aims to generate a reflection on the divergence in the habits of graphic representation and visualization in the majority of current architecture studios. Compared to those used, prior to the Digital Revolution. As such, it endeavors to demonstrate at what point the architecture studios pioneering in their use of these new systems of contemporary representation took the leap from the analogical to the digital. This thesis also wants to mark out the different attitudes that the architect takes today, in contrast to those modes where the representation (analogue as much digital), can weave together the processes of composition and communication of our projects. But also how this can be effectively instilled through the teaching imparted in Spanish architecture schools, and avoiding in this way a Decalogue of the grave LOSSES that is generating effects in Architecture. Effects that I will call: The Digital Imprint. The current theory and operative practices in architecture and design along with the unavoidable need for their representation in drawings, text, or images, have led that the appearance of the computer influences the development and liberty that give us the geometry. Also, the 30 computer programs used in representation referenced in this document influence in the assimilation of the use of the image and the graphic results generated during the project; and ultimately the morphological possibilities the architect can propose in their buildings. The relation between technique and processes of graphic communication and thinking in architecture, up until now, has not been considered critically from a historical perspective regarding the value of representation. Consequently, the Theory of Architecture needs to structure a coherent body of knowledge for the profession but also for teaching purposes.
Author | : Patricia Zulueta Pérez |
Publisher | : |
Total Pages | : 386 |
Release | : 2007 |
Genre | : DVD-ROMs |
ISBN | : |
(Incluye CD)El presenta estudio se centra en el análisis de las técnicas de representación gráfica que utilizaron los científicos de la Ilustración para elaborar sus planos y dibujos de ingenios y máquinas, y como objetivos iniciales cabría resaltar la intención de evidenciar la importancia de la época ilustrada en lo referente a su aportación al desarrollo científico y a la introducción de los fundamentos de la ingeniería moderna en España, así como ordenar y clarificar el modo en que los científicos del momento acometían la tarea de desarrollar sus trabajos gráficos.
Author | : Christopher Domin |
Publisher | : Springer Science & Business Media |
Total Pages | : 242 |
Release | : 2007-10-23 |
Genre | : Political Science |
ISBN | : 1568986475 |
Paul Rudolph, one of the twentieth century’s most iconoclastic architects, is best known – and most maligned – for his large “brutalist” buildings, like Yale’s Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance developed to a high pitch of stylistic refinement. Paul Rudolph: The Florida Houses reveals all of Rudolph’s early residential work. With Rudolph’s personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and insightful text by Joseph King and Christopher Domin, this compelling new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph’s work.
Author | : Deborah Tall |
Publisher | : Syracuse University Press |
Total Pages | : 240 |
Release | : 2016-05-05 |
Genre | : Biography & Autobiography |
ISBN | : 081565376X |
Why does a particular landscape move us? What is it that attaches us to a particular place? Tall’s From Where We Stand is an eloquent exploration of the connections we have with places—and the loss to us if there are no such connections. A typically rootless child of several American suburbs, Tall set out to make a true home for herself in the landscape that circumstance had brought her—the Finger Lakes region of upstate New York. In a mosaic of personal anecdotes, historical sketches, and lyrical meditations, she interweaves her own story with the story of this place and its people—from the Seneca Nation of the Iroquois, to European settlers, to the many utopians who sensed and were inspired by a spiritual resonance here. This edition includes an introduction by William Kittredge and a foreword by Stephen Kuusisto, both highlighting the book’s significance and Tall’s exquisite skill in tracing the relationship between homelands and storytelling.
Author | : Makoto Sei Watanabe |
Publisher | : L'Arcaedizioni |
Total Pages | : 152 |
Release | : 1998 |
Genre | : Architecture |
ISBN | : |
The works of Makoto Sei Watanabe combine the functionality of aesthetic experience and the calculated organization of structures with the evocation of deep ancestral memories.
Author | : James S. Ackerman |
Publisher | : |
Total Pages | : 264 |
Release | : 1963 |
Genre | : Archaeology |
ISBN | : |
Author | : Therese Lichtenstein |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2018-03-16 |
Genre | : Photography |
ISBN | : 3791357298 |
This generously illustrated examination of architectural photography from the 1930s to the present shows how the medium has helped shape familiar views of iconic buildings. Photography has both manipulated and bolstered our appreciation of modern architecture. With beautiful photographs of private and public buildings by Julius Shulman, Candida Höfer, Andreas Gursky, Thomas Struth, and others, this book examines the central and active role that photography plays in defining and perpetuating the iconic nature of buildings and places. This volume shows how different photographers represent the same building, offers commentaries on the "American dream," and explores changes in commercial architectural photography. Placing decades-old images alongside modern ones, Image Building depicts the idea of the comfortable middle-class home and the construction of suburbia as an ironic ideal. It presents the ways that public spaces such as libraries, museums, theaters, and office buildings are experienced differently as photographers highlight the social, cultural, psychological, and aesthetic conditions to reveal the layered meanings of place and identity. Looking at how photography shapes and frames our understanding of architecture, this volume offers thought-provoking points of view through an exploration of social and cultural issues. Published in association with the Parrish Art Museum
Author | : Timothy M. Rohan |
Publisher | : Yale University Press |
Total Pages | : 301 |
Release | : 2014-07-10 |
Genre | : Architecture |
ISBN | : 0300149395 |
Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918–1997) shaped both late modernist architecture and a generation of architects while chairing Yale’s department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph’s architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph’s spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.