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Authoring Hal Ashby

Authoring Hal Ashby
Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
Total Pages: 231
Release: 2018-02-22
Genre: Performing Arts
ISBN: 1501340190

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Casting fresh light on New Hollywood – one of American cinema's most fertile eras – Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing Ashby's films and career within the historical context of his era to show how he actively resisted the auteur label, the author demonstrates how this resistance led to Ashby's marginalization by film executives of his time and within subsequent film scholarship. Through rigorous analysis of several films, Hunter moves on to demonstrate Ashby's own signature authorial contributions to his films and provides thorough and convincing demonstrations of the authorial contributions made by several of Ashby's key collaborators. Building on emerging scholarship on multiple-authorship, Authoring Hal Ashby lays out a creative new approach to understanding one of Hollywood cinema's most exciting eras and one of its most vital filmmakers.


Authoring New Hollywood

Authoring New Hollywood
Author: Aaron Mark Hunter
Publisher:
Total Pages:
Release: 2013
Genre:
ISBN:

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Being There in the Age of Trump

Being There in the Age of Trump
Author: Barbara Tepa Lupack
Publisher: Rowman & Littlefield
Total Pages: 241
Release: 2020-08-20
Genre: Literary Criticism
ISBN: 1793607192

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Jerzy Kosinski’s Being There (published in 1970 and adapted to film in 1979) was prescient in its vision of a simple man without discernible talent or political experience whose knowledge of the world comes almost exclusively from television. Yet his very shallowness establishes him as a TV celebrity and propels him to the pinnacle of American government. Both an incisive satire and a clarion call to resist the collectivizing force of the media that influences American life and shapes, distorts, and ultimately corrupts politics and culture, Being There offered a trenchant comment on the nature of “being” in the modern world of power. And it critiqued the tendency of Americans to seek mindless distraction rather than engagement and to find profundity in banal slogans and slick visuals. Issued a half century ago, Kosinski’s warning not to let hollow imagery trump our good sense and become our new reality is even more urgent today. The first book-length examination of Kosinski in more than a decade, Being There in the Age of Trump goes beyond conventional literary and film analysis to a larger interdisciplinary and cultural study of a work still timely and popular.


Being There and the Evolution of a Screenplay

Being There and the Evolution of a Screenplay
Author: Aaron Hunter
Publisher: Bloomsbury Publishing USA
Total Pages: 489
Release: 2022-08-25
Genre: Performing Arts
ISBN: 1501372378

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Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.


Polly Platt

Polly Platt
Author: Aaron Hunter
Publisher: Springer Nature
Total Pages: 232
Release: 2022-01-19
Genre: Performing Arts
ISBN: 303082120X

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This book examines the career and creative labour of production designer Polly Platt. It focuses mainly on her contributions to 1970s Hollywood, but also considers her later work. Considering films such as The Last Picture Show, Paper Moon, The Bad News Bears, and The Witches of Eastwick, it argues that Platt’s construction of their visual palette and mise-en-scène was so creative and so comprehensive that it can be considered authorial. Chapters discuss Platt’s life and its influence on her work, her attention to detail, her role in location decisions and costume design, and her use of colour. An epilogue discusses her later career as a producer and her mentorship to young filmmakers like Cameron Crowe and Wes Anderson. This is the first full-length examination of the career of one of the women practitioners whose work was so important to 1970s cinema, and provides an alternative methodology to the auteur-driven framing that so regularly defines the era.


The Hollywood Renaissance

The Hollywood Renaissance
Author: Yannis Tzioumakis
Publisher: Bloomsbury Publishing USA
Total Pages: 289
Release: 2018-06-28
Genre: Performing Arts
ISBN: 1501337890

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In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.


Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California

Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California
Author: Matthew Specktor
Publisher: Tin House Books
Total Pages: 259
Release: 2021-07-27
Genre: Biography & Autobiography
ISBN: 1951142632

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A Best Book of the Year at The Atlantic Los Angeles Times Bestseller "[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." —Geoff Dyer, author of Out of Sheer Rage Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment. In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother’s cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or “cracking up,” he embarked on an obsessive journey to make sense of the mythologies of “success” and “failure” that haunt the artist’s life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It’s a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author’s own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives. At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person’s attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.


Being Hal Ashby

Being Hal Ashby
Author: Nick Dawson
Publisher: University Press of Kentucky
Total Pages: 665
Release: 2009-04-17
Genre: Performing Arts
ISBN: 0813139198

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The story of the director behind Harold and Maude, Being There, and other quirky classics: “A superb biography of this troubled, talented man.” —Tucson Citizen Hal Ashby set the standard for subsequent independent filmmakers by crafting unique, thoughtful, and challenging films that continue to influence new generations of directors. Initially finding success as an editor, Ashby won an Academy Award for editing 1967’s In the Heat of the Night, and translated his skills into a career as one of the quintessential directors of 1970s. Perhaps best remembered for the enduring cult classic Harold and Maude, Ashby quickly became known for melding quirky comedy and intense drama with performances from A-list actors such as Jack Nicholson in The Last Detail, Warren Beatty and Goldie Hawn in Shampoo, Jon Voight and Jane Fonda in Coming Home, and Peter Sellers and Shirley MacLaine in Being There. But Ashby’s personal life was difficult. After enduring his parents’ divorce, his father’s suicide, and his own failed marriage all before the age of nineteen, he became notorious for his drug abuse, which contributed to the decline of his career near the end of his life. Ashby always operated outside Hollywood’s conventions, and though his output was tragically limited, the quality of his films continues to inspire modern directors as varied and talented as Judd Apatow and Wes Anderson, both of whom acknowledge Ashby as a primary influence. In Being Hal Ashby: Life of a Hollywood Rebel, the first full-length biography of the maverick filmmaker, Nick Dawson masterfully tells the turbulent story of Ashby’s life and career.


Oxford Textbook of Suicidology and Suicide Prevention

Oxford Textbook of Suicidology and Suicide Prevention
Author: Danuta Wasserman
Publisher: Oxford University Press, USA
Total Pages: 857
Release: 2021-01-08
Genre: Medical
ISBN: 0198834446

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Part of the authoritative Oxford Textbooks in Psychiatry series, the new edition of the Oxford Textbook of Suicidology and Suicide Prevention remains a key text in the field of suicidology, fully updated with new chapters devoted to major psychiatric disorders and their relation to suicide.


So Far, So Funny

So Far, So Funny
Author: Hal Kanter
Publisher: McFarland
Total Pages: 328
Release: 1999
Genre: Biography & Autobiography
ISBN:

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At 18, Hal Kanter first came to Hollywood to work as the ghost writer for a comic strip for the princely sum of $10 per week-before he was fired. It was then he heard an Eddie Cantor radio show and realized that he could write better jokes than the famed comedian's writers were providing him. Interestingly enough, Cantor's writers agreed with him, at least to some degree, and hired the brash young man to work with them on the Jack Oakie radio show. Thus was born one of the more interesting and varied careers in Hollywood. Kanter's writing career went from radio shows to screenplays to television series. Along the way he worked with such luminaries as Bob Hope, Frank Capra, Elvis Presley, Bing Crosby, Danny Kaye and a host of others. Awarded an Emmy for writing The George Gobel Show, he was the creator of Julia, the ground-breaking television series. Though he went on to enjoy great success as a producer and director, Kanter always considered himself, first and foremost, a writer. And just how many scripts has he written? "More than I can lift," he says.