Attie
Author | : Rik Woods |
Publisher | : Lulu.com |
Total Pages | : 70 |
Release | : 2011 |
Genre | : |
ISBN | : 1458377539 |
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Author | : Rik Woods |
Publisher | : Lulu.com |
Total Pages | : 70 |
Release | : 2011 |
Genre | : |
ISBN | : 1458377539 |
Author | : Truman Capote |
Publisher | : New York Review of Books |
Total Pages | : 109 |
Release | : 2015-11-03 |
Genre | : Photography |
ISBN | : 1936941112 |
In 2001, Truman Capote’s stylish homage to Brooklyn was brought back into print, but not until 2014— more than fifty years after they were taken—were the original photographs commissioned to illustrate the essay discovered by the late photographer’s son. Also found among the negatives were previously unknown portraits of Capote; none of the photos had ever been published. Now, with the publication of Brooklyn: A Personal Memoir, with the lost photographs of David Attie, the words and images are united for the first time. With an introduction by George Plimpton and afterword by Eli Attie.
Author | : Kirsten Schulze |
Publisher | : Liverpool University Press |
Total Pages | : 273 |
Release | : 2008-12-04 |
Genre | : History |
ISBN | : 1782847839 |
Tells the story of the Jews of Lebanon in the twentieth century. This work challenges the prevailing view that Jews in the Middle East were second-class citizens, and were persecuted after the establishment of the State of Israel in 1948.
Author | : David Attie |
Publisher | : HarperCollins Publishers |
Total Pages | : 104 |
Release | : 1977 |
Genre | : Photography |
ISBN | : |
The self-portraits in this book were taken by visitors in the summer 1976 at an American cultural exchange visit, Photography USA, in Kiev.
Author | : |
Publisher | : |
Total Pages | : 54 |
Release | : 1961 |
Genre | : |
ISBN | : |
Author | : Shimon Attie |
Publisher | : Twin Palms Publishers |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Photography |
ISBN | : 9781931885317 |
"For a number of years, Shimon Attie (born 1957) has created his own photographic palimpsests, projecting historical images onto public spaces and then photographing them, trying to bring out buried layers of memory. 'I am trying to give visual form to history and memory which is latent in the architecture and landscape of the present, latent but not visible ... More than my therapeutic training, I think my temperament made me interested in revealing layers of a buried or repressed past.' The projected image, Attie says, is a physical embodiment of the process of memory itself. 'Like memory, the projection appears to have substance and materiality, but in fact it does not--it is only photons, ' he says. 'It's an illusion.' The projections of historical photographs onto actual sites in the present have a ghostly, immaterial, ephemeral quality of fleeting memory." -- Alexander Stille
Author | : Jeanie Attie |
Publisher | : Cornell University Press |
Total Pages | : 324 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780801422249 |
During the Civil War, the United States Sanitary Commission attempted to replace female charity networks and traditions of voluntarism with a centralized organization that would ensure women's support for the war effort served an elite, liberal vision of nationhood. Coming after years of debate over women's place in the democracy and status as citizens, soldier relief work offered women an occasion to demonstrate their patriotism and their rights to inclusion in the body politic. Exploring the economic and ideological conflicts that surrounded women's unpaid labors on behalf of the Union army, Jeanie Attie reveals the impact of the Civil War on the gender structure of nineteenth-century America. She illuminates how the war became a testing ground for the gendering of political rights and the ideological separation of men's and women's domains of work and influence. Attie draws on letters by hundreds of women in which they reflect on their political awakenings at the war's outbreak and their increasing skepticism of national policies as the conflict dragged on. Her book integrates the Civil War into the history of American gender relations and the development of feminism, providing a nuanced analysis of the relationship among gender construction, class development, and state formation in nineteenth-century America.
Author | : James Feinstein |
Publisher | : FeinMind Media |
Total Pages | : 230 |
Release | : 2009-11-03 |
Genre | : Medical |
ISBN | : 0985399201 |
Most people will, at some point or another, either find themselves dressed in a tiny hospital gown or staring at someone else dressed in a tiny hospital gown. Whether from the perspective of a patient, a family member, or a medical professional, we all have a significant stake in the process of medical education. While numerous memoirs recount physicians’ grueling experiences during residency, few focus on the even more formative portion of medical training: the third year of medical school—the clinical year. Short White Coat: Lessons from Patients on Becoming a Doctor is the disarmingly honest, yet endearing and sometimes funny account of a medical student’s humbling initiation into the world of patient care. Written during his third year of medical school at the University of Pennsylvania, James Feinstein’s Short White Coat uses a series of engaging narrative essays to illustrate the universal life lessons that his very first patients teach him. He examines some of the most common issues and feelings that medical students encounter while learning how to meet, talk with, touch, and care for their patients. Along the way, he learns from his own mistakes before discovering the answer to the question that plagues every medical student: “Do I have what it takes to become a doctor?”
Author | : Edward Bulwer-Lytton |
Publisher | : |
Total Pages | : 500 |
Release | : 1833 |
Genre | : |
ISBN | : |
Author | : James Edward Young |
Publisher | : Yale University Press |
Total Pages | : 266 |
Release | : 2000-01-01 |
Genre | : History |
ISBN | : 9780300094138 |
How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe--including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread--all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.