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Needles and Artifice

Needles and Artifice
Author: The Ladies of Mischief LLC
Publisher:
Total Pages: 234
Release: 2012-10-10
Genre: Crafts & Hobbies
ISBN: 9781937513108

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The Ladies of Mischief Interrupt Their Knitting to Present to You, Needles and Artifice: A Refined Adventure Story with Ingenious Knitting Patterns Gentle ladies and kind sirs: welcome to the world of Needles and Artifice, where corseted Victorian fashion gets an energized infusion of punk. In this fantastically playful take on steampunk knitwear design, the Ladies of Mischief offer not only 23 original patterns, but also a high-flying, busk-snapping adventure that plays out across each chapter. Pull on your goggles and spats, knitters: you're in for a wild ride.


Artifice & Craft

Artifice & Craft
Author: C.E. Murphy
Publisher: Jabberwocky Literary Agency, Inc.
Total Pages: 325
Release: 2023-08-01
Genre: Fiction
ISBN: 1940709571

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Would you kill for your art? Would it kill for you? A painter who kills with blood-tinged pigment. A tattoo artist with a dark past who treats with demons. A sculptor on Venus who carves his life’s history into ice at the cost of his sanity. A ceramic vase that might avenge the life of a murder victim. A haunted song that drives listeners to kill. Art surrounds us. It entertains and nurtures. And for some it can do far more. It can protect a family over generations or bridge the boundary between the realms of the living and the dead. It can be a curse or a boon, a path to riches or to damnation. In Artifice and Craft, speculative fiction authors Lyndsay E. Gilbert, Laura E. Price, Adam Stemple, Brian K. Lowe, James R. Tuck, Briana Una McGuckin, Jordan Davidson, James Maxey, Madeline Dau, Joel Armstrong, C.E. Murphy, Mark Painter, Alex Bledsoe, Alethea Kontis, Gerri Leen, and Jelena Dunato craft tales of art and artistry that are shaded with the supernatural, tuned to the fantastic, and glazed with the unexpected. So listen, watch, admire. But don’t touch, and don’t turn your back. Because these works of art are far more than they seem.


Making Matters

Making Matters
Author: Leigh Gruwell
Publisher: University Press of Colorado
Total Pages: 192
Release: 2022-04-15
Genre: Language Arts & Disciplines
ISBN: 1646422554

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Craft is a process-oriented practice that takes seriously the relationships between bodies—both human and nonhuman—and makes apparent how these relationships are mired in and informed by power structures. Making Matters introduces craft agency, a feminist vision of new materialist rhetorics that enables scholars to identify how power circulates and sometimes stagnates within assemblages of actors and provides tools to rectify that uneven distribution. To recast new materialist rhetorics as inherently crafty, Leigh Gruwell historicizes and locates the concept of craft both within rhetorical history as well as in the disciplinary history of writing studies. Her investigation centers on three specific case studies: craftivism, the fibercraft website Ravelry, and the 2017 Women’s March. These instances all highlight how a material, ecological understanding of rhetorical agency can enact political change. Craft agency models how we humans might work with and alongside things—nonhuman, sometimes digital, sometimes material—to create more equitable relationships. Making Matters argues that craft is a useful starting point for addressing criticisms of new materialist rhetorics not only because doing so places rhetorical action as a product of complex relationships between a network of human and nonhuman actors, but also because it does so with an explicitly activist agenda that positions the body itself as a material interface.


Artifice and Illusion

Artifice and Illusion
Author: Celeste Brusati
Publisher: University of Chicago Press
Total Pages: 466
Release: 1995-11
Genre: Art
ISBN: 9780226077857

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Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multifaceted artist. A rich appreciation of one of the most often cited but least understood figures in seventeenth-century Dutch art, this book will interest scholars and students of art history, social history, and visual culture.


Artifice and Design

Artifice and Design
Author: Barry Allen
Publisher: Cornell University Press
Total Pages: 227
Release: 2011-03-15
Genre: Technology & Engineering
ISBN: 0801457025

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"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."


Logodaedalus

Logodaedalus
Author: Alexander Marr
Publisher: University of Pittsburgh Press
Total Pages: 298
Release: 2019-02-15
Genre: Science
ISBN: 0822986302

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Before Romantic genius, there was ingenuity. Early modern ingenuity defined every person—not just exceptional individuals—as having their own attributes and talents, stemming from an “inborn nature” that included many qualities, not just intelligence. Through ingenuity and its family of related terms, early moderns sought to understand and appreciate differences between peoples, places, and things in an attempt to classify their ingenuities and assign professions that were best suited to one’s abilities. Logodaedalus, a prehistory of genius, explores the various ways this language of ingenuity was defined, used, and manipulated between 1470 and 1750. By analyzing printed dictionaries and other lexical works across a range of languages—Latin, Italian, Spanish, French, English, German, and Dutch—the authors reveal the ways in which significant words produced meaning in history and found expression in natural philosophy, medicine, natural history, mathematics, mechanics, poetics, and artistic theory.


Reclaiming Art in the Age of Artifice

Reclaiming Art in the Age of Artifice
Author: J.F. Martel
Publisher: North Atlantic Books
Total Pages: 209
Release: 2015-02-10
Genre: Philosophy
ISBN: 1583945784

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Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.