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| Author | : Melanie Jordan |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9781841502113 |
Art and Theory After Socialism considers the new critical insights that are produced in the collisions of art theory from the ex-East and ex-West.
| Author | : Katja Praznik |
| Publisher | : University of Toronto Press |
| Total Pages | : 228 |
| Release | : 2021 |
| Genre | : Art |
| ISBN | : 1487508417 |
By exposing the separation of art and labour, Art Work provides a valuable, historical perspective on the present-day struggle for artists' rights.
| Author | : Mel Jordan |
| Publisher | : Intellect Books |
| Total Pages | : 0 |
| Release | : 2008-01-01 |
| Genre | : Art |
| ISBN | : 9781841502656 |
Art, theory, and criticism faced radical new challenges after the end of the cold war. Art and Theory After Socialism investigates what happens when theories of art from the former East and the former West collide, parsing the work of former Soviet bloc artists alongside that of their western counterparts. Mel Jordan and Malcolm Miles conclude that the dreams promised by capitalism have not been delivered in Eastern Europe, and likewise, the democratic liberation of the West has fallen prey to global conflict and high-risk situations. This volume is a revolutionary take on the overlap of art and everyday life in a post–cold war world.
| Author | : Maja Fowkes |
| Publisher | : Central European University Press |
| Total Pages | : 308 |
| Release | : 2015-04-10 |
| Genre | : Art |
| ISBN | : 9633860695 |
Expanding the horizon of established accounts of Central European art under socialism, this book uncovers the neglected history of artistic engagement with the natural environment in the Eastern Bloc. The turbulent legacy of 1968, which saw the confluence of political upheaval, spread of counterculture, rise of ecological consciousness, and emergence of global conceptual art, provides the setting for Maja Fowkes’s innovative reassessment of the environmental practice of the Central European neo-avant-garde. Focussing on artists and artist groups whose ecological dimension has rarely been considered, including the Pécs Workshop from Hungary, OHO in Slovenia, TOK in Croatia, Rudolf Sikora in Slovakia, and the Czech artist Petr Štembera, 'The Green Bloc: Neo-avant-garde Art and Ecology under Socialism' brings to light an array of distinctive approaches to nature, from attempts to raise environmental awareness among socialist citizens to the exploration of non-anthropocentric positions and the quest for cosmological existence in the midst of red ideology. Embedding artistic production in social, political, and environmental histories of the region, this book reveals the Central European artists’ sophisticated relationship to nature, at the precise moment when ecological crisis was first apprehended on a planetary scale.
| Author | : Izabel Galliera |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 386 |
| Release | : 2017-05-30 |
| Genre | : Art |
| ISBN | : 1786722224 |
Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.
| Author | : Ljiljana Kolešnik |
| Publisher | : |
| Total Pages | : 323 |
| Release | : 2012 |
| Genre | : Art, Croatian |
| ISBN | : 9789537615437 |
| Author | : Boris Groys |
| Publisher | : Verso Books |
| Total Pages | : 145 |
| Release | : 2014-05-27 |
| Genre | : Art |
| ISBN | : 1844678091 |
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
| Author | : Dave Laing |
| Publisher | : Routledge |
| Total Pages | : 180 |
| Release | : 2019-07-11 |
| Genre | : Philosophy |
| ISBN | : 1000303233 |
This book is intended as a structured presentation of the major ideas of the most important trends of thought in the Marxist theory of art and is constructed as a map of the field of Marxist aesthetics.
| Author | : Izabel Galliera |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 384 |
| Release | : 2017-05-30 |
| Genre | : Art |
| ISBN | : 178673222X |
Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.
| Author | : Katalin Cseh-Varga |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2022-10-06 |
| Genre | : Art |
| ISBN | : 1350211605 |
The emergence and the activities of a second public sphere in the areas of Soviet influence were intricately linked to the performative and intermedial production and usage of alternative spaces. Applying a multitude of perspectives and networked topography, The Hungarian Avant-Garde and Socialism investigates artistic strategies of spaces – namely those of the artist's studio, exhibitions, installations, clubs, apartments, cellars, event halls, and chapels – all of which existed parallel to or were interwoven with the regulated public sphere in Hungary from the beginning of the 1960s to the era immediately following the Kádár regime. This book captures and discusses the exclusionary and inclusionary mechanisms inscribed into public spheres behind the Iron Curtain in all their paradoxes through the looking glass of an artist generation that was controversially labelled “neo-”, and later, “post-avant-garde”. Cross-referencing the international tendencies in the marginal art worlds that existed between and beyond the Cold War reality of Blocs, The Hungarian Avant-Garde demonstrates how mostly non-conformist artists in Hungary, and by extension the spaces they created, reacted to the conflicting, contradictory nature of public spheres in the post-totalitarian condition.
