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| Author | : Ralph M. Rosen |
| Publisher | : BRILL |
| Total Pages | : 296 |
| Release | : 2020-04-14 |
| Genre | : Literary Criticism |
| ISBN | : 9004424466 |
This book presents a collection of new studies on the political aspects of Aristophanes’ comic plays, produced in Athens in the latter half of the 5th century BCE.
| Author | : Keith Sidwell |
| Publisher | : Cambridge University Press |
| Total Pages | : 424 |
| Release | : 2009-10-22 |
| Genre | : Drama |
| ISBN | : 0521519985 |
This book argues that writers of Old Comedy belonged to recognisable political circles and used their comedy to disparage their political enemies.
| Author | : K.S. Rothwell |
| Publisher | : BRILL |
| Total Pages | : 130 |
| Release | : 2018-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 9004329072 |
This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth- century democracy. Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
| Author | : Kenneth Sprague Rothwell |
| Publisher | : BRILL |
| Total Pages | : 136 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : 9789004091856 |
This study shows that the "Ecclesiazusae" is an affirmation of the importance of persuasion in the fourth- century democracy.; Praxagora, the attractive and articulate female protagonist, virtually personifies "peitho," the realm of both political persuasion and erotic seduction. The ability of "peitho" to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
| Author | : Maurice Croiset |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 1909 |
| Genre | : Athens (Greece) |
| ISBN | : |
| Author | : Niall W. Slater |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 384 |
| Release | : 2002-06-12 |
| Genre | : Drama |
| ISBN | : 9780812236521 |
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
| Author | : Moritz Mücke |
| Publisher | : GRIN Verlag |
| Total Pages | : 9 |
| Release | : 2014-12-18 |
| Genre | : Philosophy |
| ISBN | : 3656863563 |
Essay from the year 2014 in the subject Philosophy - Philosophy of the Ancient World, grade: 1, , course: Thucydides, language: English, abstract: In The Knights Aristophanes mocks his adversary Cleon and comments on the phenomenon of demagoguery in democratic Athens. The play, first produced in 424 B.C., entrusts a sausage-seller to rival the Paphlagonian, a thinly veiled Cleon, in flattering and gaining the approval of the demos.1 A thorough examination of the comedy serves to demonstrate that Aristophanes attacks not democracy itself but unscrupulous demagogues like Cleon and Hyperbolus as well as the tendency of the Athenian demos to intellectual laziness, which allows the practitioners of flattery to bribe the people with their own money.
| Author | : Keith Sidwell |
| Publisher | : Cambridge University Press |
| Total Pages | : 424 |
| Release | : 2009-10-22 |
| Genre | : History |
| ISBN | : 1139482319 |
This book provides a new interpretation of the nature of Old Comedy and its place at the heart of Athenian democratic politics. Professor Sidwell argues that Aristophanes and his rivals belonged to opposing political groups, each with their own political agenda. Through disguised caricature and parody of their rivals' work, the poets expressed and fuelled the political conflict between their factions. Professor Sidwell rereads the principal texts of Aristophanes and the fragmented remains of the work of his rivals in the light of these arguments for the political foundations of the genre.
| Author | : John Zumbrunnen |
| Publisher | : University Rochester Press |
| Total Pages | : 165 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 9781580464178 |
Locates in Aristophanes' comedies a complex comic disposition appropriate to the fundamental challenge of ordinary citizenship in a democracy.
| Author | : Marina Marren |
| Publisher | : Northwestern University Press |
| Total Pages | : 208 |
| Release | : 2021-11-15 |
| Genre | : Philosophy |
| ISBN | : 0810144204 |
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.
