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| Author | : Michiel Schuijer |
| Publisher | : University Rochester Press |
| Total Pages | : 334 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9781580462709 |
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
| Author | : Allen Forte |
| Publisher | : Yale University Press |
| Total Pages | : 244 |
| Release | : 1973-01-01 |
| Genre | : Music |
| ISBN | : 9780300021202 |
Describes and cites examples of pitch-class sets and relations in atonal music
| Author | : Mary Hope Simoni |
| Publisher | : |
| Total Pages | : 148 |
| Release | : 1985 |
| Genre | : Music theory |
| ISBN | : |
| Author | : Jack Boss |
| Publisher | : Cambridge University Press |
| Total Pages | : 407 |
| Release | : 2019-07-04 |
| Genre | : Music |
| ISBN | : 1108419135 |
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
| Author | : Edward Pearsall |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 0415888956 |
Twentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening. Access additional resources and online material here: http: //www.twentiethcenturymusictheoryandpractice.net and https: //www.motivichearing.com/.
| Author | : Miguel A. Roig-Francolí |
| Publisher | : Routledge |
| Total Pages | : 432 |
| Release | : 2021-02-25 |
| Genre | : Music |
| ISBN | : 1000332632 |
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
| Author | : John Rahn |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 1980 |
| Genre | : Atonality |
| ISBN | : 9780028731605 |
| Author | : Stefan Kostka |
| Publisher | : Routledge |
| Total Pages | : 351 |
| Release | : 2016-01-08 |
| Genre | : Music |
| ISBN | : 1317346556 |
This text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.
| Author | : Miguel A. Roig-Francolí |
| Publisher | : Routledge |
| Total Pages | : 453 |
| Release | : 2021-02-25 |
| Genre | : Music |
| ISBN | : 100033273X |
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
| Author | : Stefan Kostka |
| Publisher | : Routledge |
| Total Pages | : 338 |
| Release | : 2018-03-13 |
| Genre | : Music |
| ISBN | : 1351859226 |
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
