An Analytical Approach To The Performance Styles Of The Brahms Sonata No 2 For Piano And Violin Opus 100 PDF Download

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An Analytical Approach to the Performance Styles of the Brahms Sonata No. 2 for Piano and Violin, Opus 100

An Analytical Approach to the Performance Styles of the Brahms Sonata No. 2 for Piano and Violin, Opus 100
Author: Constance Millecan
Publisher:
Total Pages: 19
Release: 2015
Genre: Sonatas (Violin and piano)
ISBN: 9781321776348

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Abstract: To this day, the three violin sonatas by Johannes Brahms have become a part of the standard violin repertoire. All composed just under a decade, his sonatas are filled with beautiful lyricism, passion, and contrasting emotions. Brahms's relationships with his friends, such as violinist Joseph Joachim and contralto singer Hermine Spies, influenced some of his works. This project report is an examination of the Brahms Sonata No. 2 for Piano and Violin, Opus 100 through history, analysis, and interpretations. The history of Brahms's life and influences were observed in order to understand his personality and the meaning behind his music. The sonata was studied through musical detail, looking carefully at how the dynamics, phrasing, and voicing shape the piece. Two artists were compared with their own interpretations of the second sonata. The purpose of this study is for one to create their own idea and voice in preparation for a performance of the piece.


Brahms's Violin Sonatas

Brahms's Violin Sonatas
Author: Joel Lester
Publisher: Oxford University Press, USA
Total Pages: 393
Release: 2020
Genre: Music
ISBN: 019008703X

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"Brahms's Violin Sonatas: Style, Structure, and Performance is a companion volume to Joel Lester's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance. Using a minimum of technical language and with annotated musical examples illustrating almost every point, Brahms's Violin Sonatas explores three masterpieces of the concert repertoire in a book designed for performers and music scholars alike. A major focus is how much can be learned by carefully reading Brahms's artistically nuanced musical notation, and by understanding Brahms's style-especially his music's deep connections to Classical-Era harmony, phrasing, and form while at the same time using late-19th-century harmonies, dissonances, and thematic evolutions, along with the contrapuntal textures that imbues all his works with a uniquely "Brahmsian" sound. Lester also explores how these works relate to important events in Brahms's life. Practical and concrete suggestions on performance arise from many of these discussions, calling performers' and analysts' attention to both technical and interpretive matters. Lester's aim is to inspire readers to explore their own individual approaches to Brahms's music, balancing what they find in the music to how they balance today's performance and interpretive styles with the ways that Brahms himself and his contemporaries might have played and experienced his creations"--


An Orchestral Transcription of Johannes Brahms's Sonata for Violin and Piano No. 3 in D Minor, Op. 108 with an Analysis of Performance Considerations

An Orchestral Transcription of Johannes Brahms's Sonata for Violin and Piano No. 3 in D Minor, Op. 108 with an Analysis of Performance Considerations
Author: John Murray Carter
Publisher:
Total Pages: 195
Release: 2012
Genre: Instrumentation and orchestration
ISBN:

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The objective of this dissertation is to examine the orchestration methods of Johannes Brahms, apply these methods to an orchestral transcription of his Sonata for Violin and Piano No. 3 in D Minor, op. 108, and provide a conductor's analysis of the transcription. Chapter 1 gives a brief historical background, and discusses reasons for and methods of the project. Chapter 2 examines general aspects of Brahms's orchestrational style. Chapter 3 addresses the transcription process and its application to the Third Violin Sonata. Chapter 4 explores areas in which a thorough understanding of a work's compositional and orchestrational structure informs performance practice. Chapter 5 discusses differences in chamber and orchestral music observed during the project. The full score of the transcription is included at the end.


“A” Performer's Guide to Brahms's Piano Sonata No. 2 Op. 2

“A” Performer's Guide to Brahms's Piano Sonata No. 2 Op. 2
Author: Yin-Ju Chang
Publisher:
Total Pages: 75
Release: 2012
Genre:
ISBN:

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Among Brahms's three piano sonatas, the first one he composed was No. 2, Op. 2, which is less frequently performed and viewed less satisfactory in comparison to the third. Previous discussions of this piece concentrate on the overwhelming virtuosity. Understandably, this virtuosity creates tremendous challenges to pianists. This document provides a performer's guide to this sonata by examining the virtuosity as it relates to form and expression, and also by creating suggestions for practice and performance. Students, teachers, and performers can benefit from this study on a piece that is typically neglected in research and repertoire lists in favor of the more famous Sonata No. 3.


Sonatensatz (sonata Movement)

Sonatensatz (sonata Movement)
Author: Johannes Brahms
Publisher:
Total Pages: 9
Release: 1948
Genre: Violin and piano music
ISBN:

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