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| Author | : Tom Lutz |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 1991 |
| Genre | : History |
| ISBN | : |
Paper edition of a 1991 study. The subject is "a cultural complex--a disease called neurasthenia" (from the preface), examined at a specific historical "moment"--1903. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Thomas Michael Lutz |
| Publisher | : |
| Total Pages | : 844 |
| Release | : 1989 |
| Genre | : Social ecology |
| ISBN | : |
| Author | : Susan Harris Smith |
| Publisher | : Springer |
| Total Pages | : 224 |
| Release | : 2007-07-09 |
| Genre | : Literary Criticism |
| ISBN | : 0230605028 |
This book examines over 125 American, English, Irish and Anglo-Indian plays by 70 dramatists which were published in 14 American general interest periodicals aimed at the middle-class reader and consumer.
| Author | : Tim Armstrong |
| Publisher | : NYU Press |
| Total Pages | : 222 |
| Release | : 1996-12 |
| Genre | : Literary Criticism |
| ISBN | : 9780814706589 |
Contributors from areas including history, literary and cultural studies, and film studies look at the body as a cultural construct configured by politics, gender, racial categories, fears of pollution, and commercial forces that exploit and regulate it, from the 19th century to the present. They examine subjects such as sailor tattoos, maritime cannibalism, birth control, anorexia, boxing, cyberpunk, and plastic surgery. No index. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Justine S. Murison |
| Publisher | : Cambridge University Press |
| Total Pages | : 229 |
| Release | : 2011-04-21 |
| Genre | : Literary Criticism |
| ISBN | : 1139497634 |
For much of the nineteenth century, the nervous system was a medical mystery, inspiring scientific studies and exciting great public interest. Because of this widespread fascination, the nerves came to explain the means by which mind and body related to each other. By the 1830s, the nervous system helped Americans express the consequences on the body, and for society, of major historical changes. Literary writers, including Nathaniel Hawthorne and Harriet Beecher Stowe, used the nerves as a metaphor to re-imagine the role of the self amidst political, social and religious tumults, including debates about slavery and the revivals of the Second Great Awakening. Representing the 'romance' of the nervous system and its cultural impact thoughtfully and, at times, critically, the fictional experiments of this century helped construct and explore a neurological vision of the body and mind. Murison explains the impact of neurological medicine on nineteenth-century literature and culture.
| Author | : Robin G. Schulze |
| Publisher | : Oxford University Press |
| Total Pages | : 328 |
| Release | : 2013-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0199920338 |
A tide of newfound prosperity swept through America as the nineteenth century turned into the twentieth. Modernity had arrived. Yet amid this climate of progress, concerns over the perils of modernity and civilization began to creep into the national consciousness. Stress, overcrowding, and immigration stoked fears of degeneration among the white middle- and upper classes. To correct course, the Back to Nature movement was born. By shedding the shackles of modernity and embracing the great outdoors, Americans could keep fit and stave off a descent down the evolutionary ladder. Drawing on a wide range of primary and archival sources, Robin Schulze examines how the return to nature altered the work of three modernist poets: Harriet Monroe, Ezra Pound, and Marianne Moore. Like other Americans of their day, the trio heeded the widespread national call to head back to nature for the sake of the nation's health, but they faced a difficult challenge. Turning to nature as a means to combat the threat of degeneration in their literary and editorial work, they needed to envision a form of poetry that would be a cure for degeneration rather than a cause. The Degenerate Muse reveals the ways in which Monroe, Pound, and Moore struggled to create and publish poems that resisted degeneration by keeping faith with nature-influenced ideas about what American poetry should be and do in the twentieth century. A combination of environmental history and modernist studies, The Degenerate Muse reveals that the American relationship to nature was a key issue of modernity and an integral part of literary modernism.
| Author | : Joseph F. Spillane |
| Publisher | : JHU Press |
| Total Pages | : 240 |
| Release | : 2000-01-11 |
| Genre | : History |
| ISBN | : 9780801862304 |
"Arguing that the underground drug culture had origins other than in federal prohibition, he concludes with some thoughts on what our early experience with legalization and prohibition can tell us as we face questions about drug policy today."--BOOK JACKET.
| Author | : Jesse F. Ballenger |
| Publisher | : JHU Press |
| Total Pages | : 257 |
| Release | : 2006-03-31 |
| Genre | : Medical |
| ISBN | : 0801888883 |
Historian Jesse F. Ballenger traces the emergence of senility as a cultural category from the late nineteenth century to the 1980s, a period in which Alzheimer's disease became increasingly associated with the terrifying prospect of losing one's self. Changes in American society and culture have complicated the notion of selfhood, Ballenger finds. No longer an ascribed status, selfhood must be carefully and willfully constructed. Thus, losing one's ability to sustain a coherent self-narrative is considered one of life's most dreadful losses. As Ballenger writes "senility haunts the landscape of the self-made man." Stereotypes of senility and Alzheimer's disease are related to anxiety about the coherence, stability, and agency of the self—stereotypes that are transforming perceptions of old age in modern America. Drawing on scientific, clinical, policy, and popular discourses on aging and dementia, Ballenger explores early twentieth-century concepts of aging and the emergence of gerontology to understand and distinguish normal aging from disease. In addition, he examines American psychiatry's approaches to the treatment of senility and scientific attempts to understand the brain pathology of dementia. Ballenger's work contributes to our understanding of the emergence and significance of dementia as a major health issue.
| Author | : David Herzberg |
| Publisher | : JHU Press |
| Total Pages | : 292 |
| Release | : 2009-01-05 |
| Genre | : History |
| ISBN | : 0801890306 |
Valium. Paxil. Prozac. Prescribed by the millions each year, these medications have been hailed as wonder drugs and vilified as numbing and addictive crutches. Where did this “blockbuster drug” phenomenon come from? What factors led to the mass acceptance of tranquilizers and antidepressants? And how has their widespread use affected American culture? David Herzberg addresses these questions by tracing the rise of psychiatric medicines, from Miltown in the 1950s to Valium in the 1970s to Prozac in the 1990s. The result is more than a story of doctors and patients. From bare-knuckled marketing campaigns to political activism by feminists and antidrug warriors, the fate of psychopharmacology has been intimately wrapped up in the broader currents of modern American history. Beginning with the emergence of a medical marketplace for psychoactive drugs in the postwar consumer culture, Herzberg traces how “happy pills” became embroiled in Cold War gender battles and the explosive politics of the “war against drugs”—and how feminists brought the two issues together in a dramatic campaign against Valium addiction in the 1970s. A final look at antidepressants shows that even the Prozac phenomenon owed as much to commerce and culture as to scientific wizardry. With a barrage of “ask your doctor about” advertisements competing for attention with shocking news of drug company malfeasance, Happy Pills is an invaluable look at how the commercialization of medicine has transformed American culture since the end of World War II.
| Author | : Bárbara Ozieblo |
| Publisher | : Peter Lang |
| Total Pages | : 306 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 9789052010281 |
Theater has always been the site of visionary hopes for a reformed national future and a space for propagating ideas, both cultural and political, and such a conceptualization of the histrionic art is all the more valuable in the post-9/11 era. The essays in this volume address the concept of «Americanness» and the perceptions of the «alien» - as ethnic, class or gendered minorities - as dealt with in the work of American playwrights from Anna Cora Mowatt, through Rachel Crothers or Susan Glaspell, and on to Sam Shepard, David Mamet, Nilo Cruz or Wallace Shawn. The authors of the essays come from a multi-national university background that includes the United States, the United Arab Emirates and various countries of the European Community. In recognition of the multiple components of drama, the essays for the volume were selected in order to exemplify different aspects and theories of theater studies: the playwright, the play, the audience and the actor are all examined as part of the theatrical experience that serves to formulate American national identity.
