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| Author | : Annette Kuhn |
| Publisher | : Verso |
| Total Pages | : 326 |
| Release | : 1999-12-17 |
| Genre | : Performing Arts |
| ISBN | : 9781859842591 |
Alien Zone II presents some of the exciting new voices in the current debates. It continues to pursue the critical and theoretical issues opened up in the earlier book and energetically explores fresh territory.
| Author | : Annette Kuhn |
| Publisher | : Verso |
| Total Pages | : 254 |
| Release | : 1990 |
| Genre | : Science fiction films |
| ISBN | : 9780860912781 |
This is especially true of the science fiction film--a genre as old as cinema itself--which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book--some newly written, others gathered from scattered sources--look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority and their relation to technology. This material is ordered and contextualized by the editor with a view to exploring how science fiction cinema has been approached critically and theoretically by commentators on the genre: as a mirror of society, as bearing or producing ideology; as caught up in an intertext of media productions, or as expressing unconscious desires. Contributors include Giuliana Bruno, Scott Bukatman, Thomas B. Byers, Barbara Creed, Anne Cranny-Francis, Daniel Dervin, H. Bruce Franklin, James H. Kavanagh, Douglas Kelner, Steve Neale, Judith Newton, Constance Penley, Hugh Ruppersberg, Michael Ryan, Vivian Sobchack, Michael Stern, J. P. Telotte, and Paul Virilio.
| Author | : Daniel K. L. Chua |
| Publisher | : Princeton University Press |
| Total Pages | : 0 |
| Release | : 2021-09-14 |
| Genre | : Music |
| ISBN | : 1942130538 |
"In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecraft contains world music and sounds of the Earth with which humanity represents itself to any extraterrestrial civilizations. This book asks the big questions that the Golden Record raises. Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human culture into a time capsule that will barrel through space for tens of thousands of years?"--
| Author | : Annette Kuhn |
| Publisher | : Verso |
| Total Pages | : 244 |
| Release | : 1990-05-17 |
| Genre | : Literary Criticism |
| ISBN | : 9780860919933 |
A collection of essays, bringing science fiction cinema into the ambit of film and cultural theory.
| Author | : Vernor Vinge |
| Publisher | : Tor Science Fiction |
| Total Pages | : 626 |
| Release | : 2010-04-01 |
| Genre | : Fiction |
| ISBN | : 1429981989 |
Now with a new introduction for the Tor Essentials line, A Fire Upon the Deep is sure to bring a new generation of SF fans to Vinge's award-winning works. A Hugo Award-winning Novel! “Vinge is one of the best visionary writers of SF today.”-David Brin Thousands of years in the future, humanity is no longer alone in a universe where a mind's potential is determined by its location in space, from superintelligent entities in the Transcend, to the limited minds of the Unthinking Depths, where only simple creatures, and technology, can function. Nobody knows what strange force partitioned space into these "regions of thought," but when the warring Straumli realm use an ancient Transcendent artifact as a weapon, they unwittingly unleash an awesome power that destroys thousands of worlds and enslaves all natural and artificial intelligence. Fleeing this galactic threat, Ravna crash lands on a strange world with a ship-hold full of cryogenically frozen children, the only survivors from a destroyed space-lab. They are taken captive by the Tines, an alien race with a harsh medieval culture, and used as pawns in a ruthless power struggle. Tor books by Vernor Vinge Zones of Thought Series A Fire Upon The Deep A Deepness In The Sky The Children of The Sky Realtime/Bobble Series The Peace War Marooned in Realtime Other Novels The Witling Tatja Grimm's World Rainbows End Collections Collected Stories of Vernor Vinge True Names At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Annie Jacobsen |
| Publisher | : Little, Brown |
| Total Pages | : 604 |
| Release | : 2011-05-17 |
| Genre | : History |
| ISBN | : 0316193852 |
This "compellingly hard-hitting" bestseller from a Pulitzer Prize finalist gives readers the complete untold story of the top-secret military base for the first time (New York Times). It is the most famous military installation in the world. And it doesn't exist. Located a mere seventy-five miles outside of Las Vegas in Nevada's desert, the base has never been acknowledged by the U.S. government — but Area 51 has captivated imaginations for decades. Myths and hypotheses about Area 51 have long abounded, thanks to the intense secrecy enveloping it. Some claim it is home to aliens, underground tunnel systems, and nuclear facilities. Others believe that the lunar landing itself was filmed there. The prevalence of these rumors stems from the fact that no credible insider has ever divulged the truth about his time inside the base. Until now. Annie Jacobsen had exclusive access to nineteen men who served the base proudly and secretly for decades and are now aged 75-92, and unprecedented access to fifty-five additional military and intelligence personnel, scientists, pilots, and engineers linked to the secret base, thirty-two of whom lived and worked there for extended periods. In Area 51, Jacobsen shows us what has really gone on in the Nevada desert, from testing nuclear weapons to building super-secret, supersonic jets to pursuing the War on Terror. This is the first book based on interviews with eye witnesses to Area 51 history, which makes it the seminal work on the subject. Filled with formerly classified information that has never been accurately decoded for the public, Area 51 weaves the mysterious activities of the top-secret base into a gripping narrative, showing that facts are often more fantastic than fiction, especially when the distinction is almost impossible to make.
| Author | : Shilo T. McClean |
| Publisher | : MIT Press |
| Total Pages | : 318 |
| Release | : 2008-09-26 |
| Genre | : Performing Arts |
| ISBN | : 0262304198 |
How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.
| Author | : Ximena Gallardo C. |
| Publisher | : A&C Black |
| Total Pages | : 262 |
| Release | : 2004-05-21 |
| Genre | : Social Science |
| ISBN | : 9780826415707 |
This text examines the construction of sex and gender in the four science-fiction films comprising the Alien saga (starring Sigourney Weaver). It will be useful to researchers and teachers in film, mass communication, women's studies, gender studies and genre studies.
| Author | : Sean Redmond |
| Publisher | : Columbia University Press |
| Total Pages | : 93 |
| Release | : 2016-09-06 |
| Genre | : Performing Arts |
| ISBN | : 1911325108 |
Ridley Scott’s 1982 film Blade Runner is now widely recognized as an undisputed masterwork of science fiction cinema and one of the most influential films released in the last forty years. Yet on its original release it was both a critical and commercial failure, criticized for its perceived prioritizing of style over content and a narrative that did not deliver the anticipated high octane action that its star casting and large budget normally promise. How did a film that was removed from circulation within a month of its premiere come to mean so much to modern audiences and provide such a rich seam of material for film and media studies? Sean Redmond excavates the many significances of the film – its breakthrough use of special effects as a narrative tool; its revolutionary representation of the future city; its treatment of racial and sexual politics; and its unique status as a text whose meaning was fundamentally altered in its re-released Director’s Cut form, then further revised in a Final Cut in 2007, and what this means in an institutional context. This volume was previously published as Studying Blade Runner in 2008.
| Author | : Brian Baker |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 192 |
| Release | : 2017-07-05 |
| Genre | : Fiction |
| ISBN | : 1137474459 |
This Guide summarises the main critical trends and developments surrounding the popular genre of science fiction. Brian Baker reviews the attempts to formulate a critical history, connects the major developments with the rise of theoretical paradigms such as feminism and postmodernism, and introduces key critical texts and major critics.
