AIC News
Author | : |
Publisher | : |
Total Pages | : 452 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 452 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 548 |
Release | : 1928 |
Genre | : Chemistry |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 446 |
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Genre | : Agriculture, Cooperative |
ISBN | : |
Author | : |
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Total Pages | : 962 |
Release | : 1923 |
Genre | : Chemistry |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 452 |
Release | : 1926 |
Genre | : Chemistry |
ISBN | : |
Author | : Jeffrey Warda |
Publisher | : American Institute for Conservation of Historic & Artistic W |
Total Pages | : 223 |
Release | : 2011 |
Genre | : Digital preservation |
ISBN | : 9780976050131 |
"Authored by the Digital Photographic Documentation Task Force of the American Institute for Conservation of Historic and Artistic Works"--P. 11.
Author | : William Crookes |
Publisher | : |
Total Pages | : 862 |
Release | : 1922 |
Genre | : Chemistry |
ISBN | : |
Author | : Frances Lennard |
Publisher | : Routledge |
Total Pages | : 337 |
Release | : 2010-09-08 |
Genre | : Social Science |
ISBN | : 1136434755 |
Textile Conservation: Advances in Practice demonstrates the development in the role and practice of the textile conservator and captures the current diversity of textile conservators’ work. The book focuses on four major factors which have influenced development in textile conservation practice since the 1980s: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical developments. These are all integral to effective conservation decision-making. • Includes case studies from the UK, USA and mainland Europe and Asia • Assesses the conservation of objects in some of the world’s major cultural institutions • Highly illustrated in full colour to show the effect of conservation in practice Textile Conservation is a reference manual for textile conservators, textile conservation students and museum and heritage professionals.
Author | : Shayne Rivers |
Publisher | : Routledge |
Total Pages | : 846 |
Release | : 2007-06-07 |
Genre | : Antiques & Collectibles |
ISBN | : 113641536X |
This book is a comprehensive resource covering the principles and practice of the conservation and restoration of furniture, and other decorative art objects made wholly or partly of wood. It integrates theory with practice to show the principles which govern interaction between wooden objects, the environmental and conservation treatments and the factors which need to be taken into account to arrive at acceptable solutions to conservation problems. The practical knowledge and experience of a team of conservators active in the field are bought together with theoretical and reference material from diverse sources and unified within a systematic framework. Specialist conservators from related disciplines cover diverse materials often incorporated into furniture.
Author | : Miriam Clavir |
Publisher | : UBC Press |
Total Pages | : 321 |
Release | : 2012-03-01 |
Genre | : Art |
ISBN | : 077485250X |
Preserving What Is Valued explores the concept of preserving heritage. It presents the conservation profession's code of ethics and discusses four significant contexts embedded in museum conservation practice: science, professionalization, museum practice, and the relationship between museums and First Nations peoples. Museum practice regarding handling and preservation of objects has been largely taken as a given, and it can be difficult to see how these activities are politicized. Clavir argues that museum practices are historically grounded and represent values that are not necessarily held by the originators of the objects. She first focuses on conservation and explains the principles and methods conservators practise. She then discusses First Nations people's perspectives on preservation, quoting extensively from interviews done throughout British Columbia, and comparing the British Columbia situation with that in New Zealand. In the face of cultural repatriation issues, museums are attempting to become more culturally sensitive to the original owners of objects, forming new understandings of the "right ways" of storage and handling of materials. Miriam Clavir's work is important for museum professionals, conservators, those working with First Nations collections in auction houses and galleries, as well as students of sociology and anthropology.