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Afropolitan Projects

Afropolitan Projects
Author: Anima Adjepong
Publisher: UNC Press Books
Total Pages: 217
Release: 2021-10-21
Genre: Social Science
ISBN: 1469665204

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Beyond simplistic binaries of "the dark continent" or "Africa Rising," Africans at home and abroad articulate their identities through their quotidian practices and cultural politics. Amongst the privileged classes, these articulations can be characterized as Afropolitan projects--cultural, political, and aesthetic expressions of global belonging rooted in African ideals. This ethnographic study examines the Afropolitan projects of Ghanaians living in two cosmopolitan cities: Houston, Texas, and Accra, Ghana. Anima Adjepong's focus shifts between the cities, exploring contests around national and pan-African cultural politics, race, class, sexuality, and religion. Focusing particularly on queer sexuality, Adjepong offers unique insight into the contemporary sexual politics of the Afropolitan class. The book expands and complicates existing research by providing an in-depth transnational case study that not only addresses questions of cosmopolitanism, class, and racial identity but also considers how gender and sexuality inform the racialized identities of Africans in the United States and in Ghana. Bringing an understudied cohort of class-privileged Africans to the forefront, Adjepong offers a more fully realized understanding of the diversity of African lives.


Afropolitan Projects

Afropolitan Projects
Author: Anima Adjepong
Publisher:
Total Pages: 638
Release: 2017
Genre:
ISBN:

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Despite a dramatic growth in the numbers of African immigrants to the United States, until recently, this population has been marginal in studies about voluntary migration and race. Likewise, in mainstream scholarship about black identities, Africa appears as a site of imagination and struggle whilst contemporary Africans are frozen in an unchanging, parochial age. My dissertation addresses the marginalization of Africa and Africans in both race and migration studies through an ethnographic case study of a community of Ghanaians in Houston, Texas. The research considers how questions of religion, race, class, and sexual politics shape the community's boundaries of belonging. I explore how answers to these questions inform members' relationship with Ghana, Africa, Houston, and the United States more generally. The ways in which the community addresses these issues are part of what I call its Afropolitan projects, which advance a modern non-victimized narrative about Ghana and Africa more generally, and sustain the community's identity as progressive, modern Ghanaians. By outlining the contours of one community's Afropolitan projects, my research offers an urgent contribution to understanding contemporary African and black identities. The dissertation argues that within the intentionally curated community of Ghanaians in Houston, members engage Christianity, sexual and racial politics, and class respectability to claim their place in the United States and to a culturally complex and cosmopolitan Ghanaian/African identity. These practices of belonging are produced through community members' experiences as Christians, postcolonial Africans, and American residents and citizens. My analysis reveals how this particular Afropolitan project complicates possibilities for the community to find solidarity with working class and queer black/African people and instead aligns itself with heterosexual respectability and middle-class progress. By examining this black/African community formation through a theoretical lens that complicates flattened conceptualizations of community, this project proposes new ways of building solidarities across difference within the black diaspora.


Afropolitan Literature as World Literature

Afropolitan Literature as World Literature
Author: James Hodapp
Publisher: Bloomsbury Publishing USA
Total Pages: 248
Release: 2020-01-23
Genre: Literary Criticism
ISBN: 1501342606

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African literature has never been more visible than it is today. Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong'o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works. But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa's place in the world that they offer? How does it differ from that of previous generations? Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos. By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world. However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.


Displaced

Displaced
Author: Kate Rose
Publisher: Routledge
Total Pages: 245
Release: 2020-01-30
Genre: Literary Criticism
ISBN: 1000036030

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Through specific and rigorous analysis of contemporary literary texts, this book shows how writers from inside affected communities portray indigeneity, displacement, and trauma. In a world of increasing global inequality, this study aims to demonstrate how literature, and the study of it, can effect positive social change, notably in the face of global environmental, economic, and social injustice. This collection brings together a diverse and compelling array of voices from academics leading their fields around the world, to pioneer a new approach to literary analysis anchored in engagement with our changing world.


Changing Societies

Changing Societies
Author: Vincent Mariet
Publisher: Cambridge Scholars Publishing
Total Pages: 269
Release: 2020-07-07
Genre: Social Science
ISBN: 1527555798

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Putting movement at the center of our political and practical perspectives is to consider several issues related to the movement itself, including questions about the concept of “pure” culture. The migrant—s/he who moves—is seen as an “intruder” and a threat to cultural norms, but other frightening social mutations such as environmental problems or the growing place of artificial intelligence in societies are just some examples of evolving cultural and social identity, observable in each temporality, each geographical area and even in each discipline, and make it possible to study the different aspects of the dynamic movement that is at the origin of social changes. This volume explores the ways in which populations confronted with such social changes are affected, and which consequently can foster new ways of individual or collective decision-making.


Women on the Move

Women on the Move
Author: Silvia Pellicer-Ortín
Publisher: Routledge
Total Pages: 256
Release: 2018-07-17
Genre: Literary Criticism
ISBN: 042983926X

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Women on the Move: Body, Memory and Feminity in Present-day Transnational Diasporic Writing explores the role of women in the current globailized era as active migrants. the authors have brought together a collection of essays from scholars in diaspora, migration and gender studies to take a look at the female experince of migration and globalization by covering topics such as vulnerability, empowerment, trauma, identity, memory, violence and gender contruction, which will continue to shape contemporary literature and the culture at large.


Global Jazz

Global Jazz
Author: Clarence Bernard Henry
Publisher: Routledge
Total Pages: 437
Release: 2021-08-30
Genre: Music
ISBN: 1000430995

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Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.


Bamako Sounds

Bamako Sounds
Author: Ryan Thomas Skinner
Publisher: U of Minnesota Press
Total Pages: 217
Release: 2015-06-01
Genre: Social Science
ISBN: 1452944415

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Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property. Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.


Identity and Transnationalism

Identity and Transnationalism
Author: Kassahun H. Kebede
Publisher: Routledge
Total Pages: 222
Release: 2020-06-29
Genre: Art
ISBN: 1000713016

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Identity and Transnationalism discusses the identity and transnational experiences of the new second-generation African immigrants in the US, bringing together the lived experiences of the new African diaspora and exploring how they are shaping and reshaping being and becoming black. In the half a century since the passage of the Immigration and Nationality Act of 1965, close to 1.4 million black African immigrants have come to the United States (Pew Research Center 2015). Nevertheless, in proportion to its growing size, the New African Diaspora in the United States, particularly the second generation constitutes one of the least studied groups. In seeking to redress the dearth of scholarship on the New African Diaspora in the United States, the contributors to this book have documented the lives and experiences of second-generation African immigrants. Based on fresh data, the chapters provide insight into the intersection of immigrant cultures and mainstream expectations, as the second-generation African immigrants seek to define and redefine being and becoming American. Specifically, the authors discuss how the second-generation Africans contest being boxed into embracing a Black identity that is the product of specific African American histories, values, and experiences not shared by recent African immigrants. The book also examines the second generations' connections with their parents' ancestral countries and whether and for what reasons they participate in transnational activities. Authored and edited by key immigration scholars, Identity and Transnationalism represents a ground-breaking contribution to the nascent discussion of the New African Diaspora’s second generation. It will be of great interest to scholars of Cultural Anthropology, The New African Diaspora, African Studies, Sociology and Ethnic studies. This book was originally published as a special issue of African and Black Diaspora.


“Where Are You From?”

“Where Are You From?”
Author: Gillian Creese
Publisher: University of Toronto Press
Total Pages: 217
Release: 2019-12-12
Genre: Social Science
ISBN: 148753485X

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Metro Vancouver is a diverse city where half the residents identify as people of colour, but only one percent of the population is racialized as Black. In this context, African-Canadians are both hyper-visible as Black, and invisible as distinct communities. Informed by feminist and critical race theories, and based on interviews with women and men who grew up in Vancouver, "Where Are You From?" recounts the unique experience of growing up in a place where the second generation seldom sees other people who look like them, and yet are inundated with popular representations of Blackness from the United States. This study explores how the second generation in Vancouver redefine their African identities to distinguish themselves from African-Americans, while continuing to experience considerable everyday racism that challenges belonging as Canadians. As a result, some members of the second generation reject, and others strongly assert, a Canadian identity.