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Acting and Stage Movement

Acting and Stage Movement
Author: Edwin C Acting White
Publisher: Hassell Street Press
Total Pages: 214
Release: 2021-09-09
Genre:
ISBN: 9781013918735

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Acting and Stage Movement

Acting and Stage Movement
Author:
Publisher:
Total Pages: 220
Release: 1963
Genre: Acting
ISBN:

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Acting and stage movement

Acting and stage movement
Author: Edwin C. White
Publisher:
Total Pages: 0
Release: 1979
Genre:
ISBN:

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Movement for Actors

Movement for Actors
Author: Nicole Potter
Publisher: Simon and Schuster
Total Pages: 461
Release: 2002-07-01
Genre: Performing Arts
ISBN: 158115934X

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In this rich resource for American actors, renowned movement teachers and directors reveal the physical skills needed for the stage and screen. Experts in a wide array of disciplines provide remarkable insight into the Alexander technique, the use of psychological gesture, period movement, the work of Rudolph Laban, postmodern choreography, and Suzuki training, to name but a few. Those who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must read for all actors, directors, and teachers of theater looking for stimulation and new approaches.


The Invisible Actor

The Invisible Actor
Author: Yoshi Oida
Publisher: Bloomsbury Publishing
Total Pages: 123
Release: 2020-10-01
Genre: Drama
ISBN: 1350148288

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The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.


Essential Stage Movement

Essential Stage Movement
Author: MR Edward Rozinsky
Publisher: Physical Theater Publishers, USA
Total Pages: 480
Release: 2010-12
Genre: Performing Arts
ISBN: 9780578074368

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The Expressive Actor

The Expressive Actor
Author: Michael Lugering
Publisher: Routledge
Total Pages: 282
Release: 2012
Genre: Drama
ISBN: 0415669308

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Michael Lugering's The Expressive Actor presents a foundational, preparatory training method, using movement to unlock the entire acting process. Its action-based perspective integrates voice, movement and basic acting training into a unified approach.


Play Readings

Play Readings
Author: Rob Urbinati
Publisher: CRC Press
Total Pages: 238
Release: 2015-10-05
Genre: Performing Arts
ISBN: 1317554647

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Play Readings: A Complete Guide for Theatre Practitioners demystifies the standards and protocols of a play reading, demonstrating how to create effective and evocative readings for those new to or inexperienced with the genre. It examines all of the essential considerations involved in readings, including the use of the venue, pre-reading preparations, playwright/director communication, editing/adapting stage directions, casting, using the limited rehearsal time effectively, simple "staging" suggestions, working with actors, handling complex stage directions, talkbacks, and limiting the use of props, costumes, and music. A variety of readings are covered, including readings of musicals, operas, and period plays, for comprehensive coverage of this increasingly prevalent production form.


The Actor's Image

The Actor's Image
Author: Jean Sabatine
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
Total Pages: 264
Release: 1983
Genre: Performing Arts
ISBN:

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The program - Exercises - Explorations - Applications - Practical applications ___


Singing, Acting, and Movement in Opera

Singing, Acting, and Movement in Opera
Author: Mark Ross Clark
Publisher: Indiana University Press
Total Pages: 172
Release: 2009-04-09
Genre: Music
ISBN: 0253109396

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"... a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" -- Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.