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A Theory of Narrative Drawing

A Theory of Narrative Drawing
Author: Simon Grennan
Publisher: Springer
Total Pages: 277
Release: 2017-06-29
Genre: Social Science
ISBN: 1137518448

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This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.


Telling Stories

Telling Stories
Author: Jane Tormey
Publisher: Cambridge Scholars Publishing
Total Pages: 299
Release: 2020-07-24
Genre: Art
ISBN: 1527557278

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Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performative writing’ and in the examination of inter-disciplinary forms of narrative and counter-narrative. It specifically focused on three aspects - experimental forms of Theories and Criticism, Objects and Narrative and the particular form of the Cinematic Essay and explored how the performative move could also be said to apply to forms of contemporary art practice: to what photography, film, objects wish to say. This resulting edited collection presents contemporary making and writing practices as multi-faceted, interdisciplinary and trans-medial and is indicative of an attitude that sets out to encounter the world, its social conditions, its global perspectives and the nature of aesthetic discussion that is no longer confined by formalism.


A Theory of Narrative

A Theory of Narrative
Author: Rick Altman
Publisher: Columbia University Press
Total Pages: 391
Release: 2008-07-03
Genre: Literary Criticism
ISBN: 0231513127

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Narrative is a powerful element of human culture, storing and sharing the cherished parts of our personal memories and giving structure to our laws, entertainment, and history. We experience narrative in words, pictures, and film, yet regardless of how the tale is told, story remains independent from the media that makes it concrete. Narrative follows humans wherever they travel and adapts readily to new forms of communication. Constantly evolving and always up-to-date, narrative is a necessary strategy of human expression and a fundamental component of human identity. In order to understand human interaction, award-winning scholar Rick Altman launches a close study of narrative's nature, its variation in different contexts, and the method through which it makes meaning. Altman's approach breaks away from traditional forms of analysis, identifying three basic strategies: single-focus, dual-focus, and multiple-focus. Unpacking an intentionally diverse selection of texts, Altman demonstrates how these strategies function in context and illustrates their theoretical and practical applications in terms of textual analysis, literary and film history, social organization, religion, and politics. He employs inventive terminology and precise analytical methods throughout his groundbreaking work, making this volume ideal for teaching literary and film theory and for exploring the anatomy of narrative on a more general level.


Art, Mind, and Narrative

Art, Mind, and Narrative
Author: Julian Dodd
Publisher: Oxford University Press
Total Pages: 288
Release: 2016
Genre: Language Arts & Disciplines
ISBN: 0198769733

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This volume presents new essays on art, mind, and narrative inspired by the work of the late Peter Goldie. Topics covered include the role of narrative thinking in our lives, the nature of our imaginative engagement with fiction, the emotions and their role in motivating action, and the nature of conceptual art.


Narrative, Emotion, and Insight

Narrative, Emotion, and Insight
Author: Noël Carroll
Publisher: Penn State Press
Total Pages: 198
Release: 2011
Genre: Language Arts & Disciplines
ISBN: 0271048573

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"A collection of essays, written for this volume by leaders in the field, that study the emotional and cognitive significance of narrative and its implications for aesthetics and the philosophy of art"--Provided by publisher.


Toward a Theory of Pictorial Narrative. Lucas van Leyden's "Ecce Homo"

Toward a Theory of Pictorial Narrative. Lucas van Leyden's
Author: John Dorsch
Publisher: GRIN Verlag
Total Pages: 20
Release: 2018-02-12
Genre: Art
ISBN: 3668634327

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Studienarbeit aus dem Jahr 2014 im Fachbereich Kunst - Kunstgeschichte, Note: 1,5, Eberhard-Karls-Universität Tübingen, Veranstaltung: Bilddruck in Europa 1480-1980, Sprache: Deutsch, Abstract: What is that common expression?—a picture is worth a thousand words. We say this because every image tells a story. But if an image tells a story, then how, when it is only a single image? Pictorial narrative is the name for an image's propensity to tell a story. By this we mean a single static image, not a series of static images. Not until recently has the topic of pictorial narrative received so much attention from the research. This is largely due to three dilemmas that arise when attempting to conceptualize a two dimensional work of art as depicting four dimensions: in regards to the artwork, Who is the narrator of the story? How is the sequence of events represented? What provokes the viewer to begin telling herself a story? The purpose of this paper is to address these questions, develop concepts for their articulation and relation, and apply the resulting concepts to an analysis of Lucas van Leyden's "Ecce Homo". The approach offered is a post-structuralist account of narration, an inferential account of meaning, and a phenomenological account of experience. This paper is indebted to Lorenzo Pericolo's monograph entitled Caravaggio and Pictorial Narrative for articulating the dilemmas concerning pictorial narrative.


The Narratology of Comic Art

The Narratology of Comic Art
Author: Kai Mikkonen
Publisher: Taylor & Francis
Total Pages: 313
Release: 2017-05-08
Genre: Art
ISBN: 1315410125

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By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.


Meander, Spiral, Explode

Meander, Spiral, Explode
Author: Jane Alison
Publisher: Catapult
Total Pages: 273
Release: 2019-04-02
Genre: Language Arts & Disciplines
ISBN: 1948226138

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"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.


Narrative Art and the Politics of Health

Narrative Art and the Politics of Health
Author: Neil Brooks
Publisher: Anthem Press
Total Pages: 342
Release: 2021-03-15
Genre: Literary Criticism
ISBN: 178527712X

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As countless alterations have taken place in medicine in the twenty-first century so too have literary artists addressed new understandings of disease and pathology. Dis/ability studies, fat studies, mad studies, end-of-life studies, and critical race studies among other fields have sought to better understand what social factors lead to pathologizing certain conditions while other variations remain “normalized.” While recognizing that these scholarly approaches often speak to identities with radically different experiences of pathologization, this collection of essays is open to all critical engagements with narratives of health in order to facilitate the messiness of cross-disciplinary collaboration and interdisciplinarity. As scientific advances provide insight into a wide range of well-being issues and help extend life, it is vital that we come to question the very categories of “healthy” and “unhealthy.” This collection brings together analyses of cultural productions which probe those categorizations and suggest new psychological and philosophical understandings which will help better apply and guide the knowledge being rapidly developed within the life sciences. “Right of health” is a widely accepted human right, but in applying a right to healthcare what care and what sort of health are less universally agreed upon. The contributors share an interest in addressing who controls answers to the questions of “how do we define a healthy body and a healthy life?” and “what are the political forces that influence our definitions of health?”