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| Author | : David Dabydeen |
| Publisher | : |
| Total Pages | : 182 |
| Release | : 1988-01 |
| Genre | : Blacks |
| ISBN | : 9781870518352 |
An introduction to West Indian and Black British,Literature and a standard text outlining the,history and development of the major themes.,Includes bibliography for further reading.
| Author | : David Dabydeen |
| Publisher | : Hansib Publishing (Caribbean), Limited |
| Total Pages | : 202 |
| Release | : 1997 |
| Genre | : Fiction |
| ISBN | : |
An invaluable aid for teachers and stimulating,study for the general reader, now in its second,and updated edition.
| Author | : Mark Stein |
| Publisher | : Ohio State University Press |
| Total Pages | : 261 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 081420984X |
In this fascinating book, Mark Stein examines black British literature, centering on a body of work created by British-based writers with African, South Asian, or Caribbean cultural backgrounds. Linking black British literature to the bildungsroman genre, this study examines the transformative potential inscribed in and induced by a heterogeneous body of texts. Capitalizing on their plural cultural attachments, these texts portray and purvey the transformation of post-imperial Britain. Stein locates his wide-ranging analysis in both a historical and a literary context. He argues that a cross-cultural and interdisciplinary approach is essential to understanding post-colonial culture and society. The book relates black British literature to ongoing debates about cultural diversity, and thereby offers a way of reading a highly popular but as yet relatively uncharted field of cultural production. With the collapse of its empire, with large-scale immigration from former colonies, and with ever-increasing cultural diversity, Britain underwent a fundamental makeover in the second half of the twentieth century. This volume cogently argues that black British literature is not only a commentator on and a reflector of this makeover, but that it is simultaneously an agent that is integral to the processes of cultural and social change. Conceptualizing the novel of transformation, this comprehensive study of British black literature provides a compelling analytic framework for charting these processes.
| Author | : David Dabydeen |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 1988 |
| Genre | : Black people |
| ISBN | : |
| Author | : Alison Donnell |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2002-09-11 |
| Genre | : Reference |
| ISBN | : 1134700253 |
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.
| Author | : G. Low |
| Publisher | : Springer |
| Total Pages | : 220 |
| Release | : 2006-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 023062569X |
This much-needed collection examines the formation of a black British canon including writers, dramatists, film-makers and artists. Contributors including John McLeod, Michael McMillan, Mike Phillips and Alison Donnell discuss the textual, political and cultural history of black British and the term 'black British' itself.
| Author | : Albert James Arnold |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 700 |
| Release | : 2001-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9789027234483 |
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.
| Author | : Lauri Ramey |
| Publisher | : Springer |
| Total Pages | : 187 |
| Release | : 2004-09-03 |
| Genre | : Literary Criticism |
| ISBN | : 1403981132 |
This collection of essays provides an imaginative international perspective on ways to incorporate black British writing and culture in the study of English literature, and presents theoretically sophisticated and practical strategies for doing so. It offers a pedagogical, pragmatic and ideological introduction to the field for those without background, and an integrated body of current and stimulating essays for those who are already knowledgeable. Contributors to this volume include scholars and writers from Britain and the U.S. Following on recent developments in African American literature, postcolonial studies and race studies, the contributors invite readers to imagine an enhanced and inclusive British canon through varied essays providing historical information, critical analysis, cultural perspective, and extensive annotated bibliographies for further study.
| Author | : Susheila Nasta |
| Publisher | : Cambridge University Press |
| Total Pages | : 862 |
| Release | : 2020-01-16 |
| Genre | : Literary Criticism |
| ISBN | : 1108169007 |
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
| Author | : Nana Wilson-Tagoe |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 1998 |
| Genre | : Literary Collections |
| ISBN | : 9780813015828 |
"There is in this work nearly total grasp of the central concerns of . . . Anglophone Caribbean literature. Few books on the subject cover it with the breadth and depth that this has."--Isidore Okpewho, State university of New York, Binghamton "An impressive range of explorations into the ways in which the better-known male Caribbean writers of fiction, poetry, and drama reconceptualize Caribbean history."--Kathleen M. Balutansky, Saint Michael's College Nana Wilson-Tagoe argues that it is in the imaginative recasting of the past, more than in one-dimensional explanations of historical processes, that we find insights in Caribbean history and that it is this recasting that has shaped Caribbean literature in the 20th century. Looking at major Anglophone Caribbean writers in three genres--novels, short stories, and poetry--she analyzes the ways in which history has been perceived, constructed, and used in West Indian literature. In that context she explores the interplay of reality and the fantastic; history and the imagination; myth and ancestral memory; time-bound conceptions of the West Indies and the timeless values of life there. While discussion focuses on the interface between literature and historiography, it also addresses issues in sociology, political science, and philosophy. Wilson-Tagoe's work will appeal to students of Caribbean literature but also and particularly to scholars who study the black Atlantic world, both on its own terms and in its relations with Western society and Africa. Nana Wilson-Tagoe teaches African and Caribbean literature at the School of Oriental and African Studies, University of London. She has published A Reader's Guide to West Indian and Black British Literature as well as articles in Caribbean Review, Trinidad Review, Wasafiri, and Comparative and General Literature.
