A Readers Guide To Great Twentieth Century English Novels PDF Download

Excerpt from A Readers Guide to Great Twentieth-Century English Novels In varying ways, Conrad's emphasis on the individual artist's con scious mind as guide to his artistic conceptions - an anti-traditionalist position and a throwback to the philosophy of the 1890's, the time of Conrad's apprenticeship - found its counterpart in the statements of Huxley, Virginia Woolf, and Joyce. Conrad was following, in his way, Flaubert's attempt to make the novel a major artistic form, not merely a type of entertainment. Concern with form, a major French preoccu pation, did not significantly begin in England, we remember, until George Eliot, Meredith, and Conrad turned to the novel, and only the latter practiced what he theorized. After Conrad, we find several state ments of novelistic theory incorporated into the novel itself: as exam ples, Stephen's sermon on art in A Portrait, the remarks in Philip Quarles'journal in Point Counter Point, and, indirectly, the tense discussions between Loerke, the devilish creator, and Ursula and Gud run Brangwen near the end of Women in Love. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.