Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Portrait Of The Artist 1525 1825 PDF full book. Access full book title A Portrait Of The Artist 1525 1825.
| Author | : James Clifton |
| Publisher | : Museum of Fine Arts (Houston) |
| Total Pages | : 288 |
| Release | : 2005-11 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Catalogue of an exhibition at the Museum of Fine Arts, Houston, Feb. 27-May 22, 2005; and at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Sept. 3, 2005-Jan. 1, 2006.
| Author | : Debra Cashion |
| Publisher | : BRILL |
| Total Pages | : 631 |
| Release | : 2017-08-21 |
| Genre | : Art |
| ISBN | : 9004354123 |
An anthology of 42 essays by distinguished scholars on current research and methodology in the art history of the late medieval and early modern periods in Germany, France, the Netherlands, and Belgium, written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania.
| Author | : Celeste Brusati |
| Publisher | : BRILL |
| Total Pages | : 773 |
| Release | : 2011-11-11 |
| Genre | : History |
| ISBN | : 9004215158 |
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
| Author | : Livio Pestilli |
| Publisher | : Routledge |
| Total Pages | : 502 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351555073 |
This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons? aesthetic ideals and agendas. Following a meticulous examination of the ways in which posterity?s impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artist?s most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.
| Author | : Victoria Sancho Lobis |
| Publisher | : Yale University Press |
| Total Pages | : 109 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300218826 |
In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.
| Author | : Christine Göttler |
| Publisher | : BRILL |
| Total Pages | : 649 |
| Release | : 2017-11-06 |
| Genre | : History |
| ISBN | : 9004354506 |
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
| Author | : Arthur J. DiFuria |
| Publisher | : BRILL |
| Total Pages | : 884 |
| Release | : 2021-12-20 |
| Genre | : Art |
| ISBN | : 9004462066 |
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
| Author | : Walter Melion |
| Publisher | : BRILL |
| Total Pages | : 787 |
| Release | : 2016-03-11 |
| Genre | : Art |
| ISBN | : 9004310436 |
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
| Author | : Lisandra Estevez |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 234 |
| Release | : 2021-04-09 |
| Genre | : Art |
| ISBN | : 1527568199 |
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
| Author | : Walter S. Melion |
| Publisher | : BRILL |
| Total Pages | : 517 |
| Release | : 2016-06-10 |
| Genre | : History |
| ISBN | : 9004319123 |
The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order’s defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz
