A Northern Romanticism
Author | : Tracy Ware |
Publisher | : |
Total Pages | : 554 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Tracy Ware |
Publisher | : |
Total Pages | : 554 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Cian Duffy |
Publisher | : Springer Nature |
Total Pages | : 332 |
Release | : 2022-08-11 |
Genre | : Literary Criticism |
ISBN | : 303099127X |
Nordic Romanticism: Translation, Transmission, Transformation is an edited collection exploring the varied and complex interactions between national romanticisms in Britain, Denmark, Germany, Norway and Sweden. The collection considers both the reception and influence of Nordic romanticism in Britain and Germany and also the reciprocal impact of British and German romanticism in the Nordic countries. Taken as a whole, the volume suggests that to fully understand the range of these individual national romanticisms we need to see them not as isolated phenomena but rather as participating, via translation and other modes of reception, in a transnational or regional romanticism configured around the idea of a shared cultural inheritance in ‘the North’.
Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 446 |
Release | : 1901 |
Genre | : English literature |
ISBN | : |
Author | : Henry Augustin Beers |
Publisher | : |
Total Pages | : 444 |
Release | : 1901 |
Genre | : English literature |
ISBN | : |
Author | : Robert Rosenblum |
Publisher | : |
Total Pages | : 240 |
Release | : 1978 |
Genre | : Painting, Modern |
ISBN | : 9780500271131 |
A view of artistic development which argues that the Paris-orientated orthodoxy of modern art does not allow for achievements which, in the eyes of the author, can be fairly called major. Other work by the author includes The Romantic Child, and The Jeff Koons Handbook.
Author | : John Claiborne Isbell |
Publisher | : Open Book Publishers |
Total Pages | : 153 |
Release | : 2022-09-05 |
Genre | : Literary Criticism |
ISBN | : 180064745X |
Navigating the landscape of Romantic literature and art across Europe and the Americas, An Outline of Romanticism in the West invites readers to embark upon a literary journey. Showcasing a breadth of theoretical and contextual approaches to the study of Romanticism, John Isbell provides an insightful contemporary overview of the field, paired with wide-ranging comparative reflections on the art and literature that helped shape it. Discussing seminal Romantic texts such as Mary Shelley’s Frankenstein, or Germaine de Staël’s Corinne ou l’Italie, Isbell provides a foundation through which to investigate core concepts, such as the continuum of Romance, the Romantic hero, and Romantic literature’s characteristic repudiation of its own Romanticism. Unusually for a single-author monograph, the book includes both published and unpublished material covering Romantic creation across Europe and the two Americas. Identifying Romanticism as an international movement, Isbell seeks to emphasise a theme frequently ignored by many academics: the roots of Romanticism, and its variations, as a national art. His arguments are supported by extensive interrogations of the political and historical contexts that moulded the outlooks of the writers and artists central to the period. An Outline of Romanticism in the West underlines the interplay between nationalism, history, and artistic inspiration, and will therefore be of value to students and scholars of literature and history, as well as to general readers with an interest in Romanticism in the West.
Author | : Frederick C. Beiser |
Publisher | : Harvard University Press |
Total Pages | : 262 |
Release | : 2006-04-28 |
Genre | : Literary Criticism |
ISBN | : 0674019806 |
This study restores and enhances the philosophical aspect of early German Romanticism, offering an understanding of the movement's origins, development, aims and accomplishments.
Author | : Carmen Casaliggi |
Publisher | : Routledge |
Total Pages | : 310 |
Release | : 2013-03-05 |
Genre | : Literary Criticism |
ISBN | : 1136273484 |
This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.
Author | : Laura Bandiera |
Publisher | : Rodopi |
Total Pages | : 282 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 9042018577 |
Covers comparative literature; English literature; Italian literature in the 18th and 19th centuries.
Author | : P. Mortensen |
Publisher | : Springer |
Total Pages | : 239 |
Release | : 2004-02-03 |
Genre | : Literary Criticism |
ISBN | : 0230512208 |
During the 1790s and 1800s, cultural critics became convinced that Britain was being 'inundated' by pernicious literary translations imported from the European Continent. British Romanticism and Continental Influences discusses Romantic writers' complex and ambivalent responses to this threatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsworth and Coleridge publicly distanced themselves from European sensationalism, even as they assimilated and revised its conventions in their own writing.