A History of the Rise and Progress of the Arts of Design in the United States, Vol. 3 of 3 (Classic Reprint)
| Author | : William Dunlap |
| Publisher | : Forgotten Books |
| Total Pages | : 574 |
| Release | : 2017-11-25 |
| Genre | : Art |
| ISBN | : 9780331944013 |
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Excerpt from A History of the Rise and Progress of the Arts of Design in the United States, Vol. 3 of 3 This gentleman's talents, and the taste with which he has exerted them, have placed him in the foremost rank of living artists. His father, Robert Leslie, and his mother, Lydia Baker, were both Americans. They visited England in 1793 or 4, and on the 17th of October, 1794, the subject of this sketch was born in London. Our cousins of Great Britain, who are very willing to cozen us out of anything that might do us credit, have claimed Leslie as an Englishman, although his parents returned to their native country and carried the boy with them before he was five years old. We would ask an Eng lish ambassador residing at Pera, if he has sons born to him there, are they therefore Turks? No: Charles Robert Leslie is an American, and received his first instruction as a painter in America, and imbibed his taste and love for the art before he left the country to study systematically in Great Britain. It has SO happened that many of our eminent artists were born in England, and removed to this country by their English parents while infants or children. Sully, Jarvis, Cummings, and Cole, all born in England, all imbibed their 1love for the fine arts, and their love for the institutions of this country in childhood. Two of them have never been out of the country, since brought into it, and the others were good painters before they sought additional knowledge by returning to the land of their nativity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
