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A Dictionary of Stage Directions in English Drama 1580-1642

A Dictionary of Stage Directions in English Drama 1580-1642
Author: Alan C. Dessen
Publisher: Cambridge University Press
Total Pages: 306
Release: 2001-03-15
Genre: Literary Criticism
ISBN: 9780521000291

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This dictionary, the first of its kind, defines and explains over 900 terms found in the stage directions of plays for the professional stage written by Shakespeare and his contemporaries. The authors draw on a database of over 22,000 stage directions drawn from around 500 plays. Each entry defines a term, gives examples of how it is used, cites additional instances, and gives cross-references to other relevant entries. This will be an indispensable work of reference for scholars, historians, directors and actors.


Stage Directions and Shakespearean Theatre

Stage Directions and Shakespearean Theatre
Author: Gillian Woods
Publisher: Bloomsbury Publishing
Total Pages: 370
Release: 2017-12-14
Genre: Drama
ISBN: 1474257496

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What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.


Shakespeare Studies

Shakespeare Studies
Author: Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 292
Release: 2001-10
Genre: Literary Criticism
ISBN: 9780838639221

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Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.


English Drama, 1580-1642

English Drama, 1580-1642
Author: Nathaniel Burton Paradise
Publisher:
Total Pages: 1044
Release: 1935
Genre: English drama
ISBN:

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Literary Research and the British Renaissance and Early Modern Period

Literary Research and the British Renaissance and Early Modern Period
Author: Jennifer Bowers
Publisher: Scarecrow Press
Total Pages: 400
Release: 2010-04-13
Genre: Language Arts & Disciplines
ISBN: 0810874288

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This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.


A Companion to the Global Renaissance

A Companion to the Global Renaissance
Author: Jyotsna G. Singh
Publisher: John Wiley & Sons
Total Pages: 418
Release: 2013-02-26
Genre: Literary Criticism
ISBN: 1118651227

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Featuring twenty one newly-commissioned essays, A Companion to the Global Renaissance: English Literature and Culture in the Era of Expansion demonstrates how today's globalization is the result of a complex and lengthy historical process that had its roots in England's mercantile and cross-cultural interactions of the sixteenth and seventeenth centuries. An innovative collection that interrogates the global paradigm of our period and offers a new history of globalization by exploring its influences on English culture and literature of the early modern period. Moves beyond traditional notions of Renaissance history mainly as a revival of antiquity and presents a new perspective on England's mercantile and cross-cultural interactions with the New and Old Worlds of the Americas, Africa, and the East, as well with Northern Europe. Illustrates how twentieth-century globalization was the result of a lengthy and complex historical process linked to the emergence of capitalism and colonialism Explores vital topics such as East-West relations and Islam; visual representations of cultural 'others'; gender and race struggles within the new economies and cultures; global drama on the cosmopolitan English stage, and many more


Staging Conventions in Medieval English Theatre

Staging Conventions in Medieval English Theatre
Author: Philip Butterworth
Publisher: Cambridge University Press
Total Pages: 285
Release: 2014-06-26
Genre: Literary Criticism
ISBN: 1139991949

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How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.


Stage Directions in Hamlet

Stage Directions in Hamlet
Author: Hardin L. Aasand
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 242
Release: 2003
Genre: Drama
ISBN: 9780838639467

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The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.


The Cambridge Companion to Shakespeare

The Cambridge Companion to Shakespeare
Author: Margreta de Grazia
Publisher: Cambridge University Press
Total Pages: 504
Release: 2001-04-05
Genre: Literary Criticism
ISBN: 1139825984

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This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.


The Arden Handbook of Shakespeare and Early Modern Drama

The Arden Handbook of Shakespeare and Early Modern Drama
Author: Michelle M. Dowd
Publisher: Bloomsbury Publishing
Total Pages: 409
Release: 2022-12-15
Genre: Literary Criticism
ISBN: 135016187X

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How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.