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A Cultural History of Late Meiji Japan

A Cultural History of Late Meiji Japan
Author: Alistair Swale
Publisher: Springer Nature
Total Pages: 224
Release: 2023-11-30
Genre: History
ISBN: 3031436466

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Scholarship on Japan’s development from the late nineteenth century to the early twentieth century has, perhaps quite understandably, been dominated by attention given to Japan’s emergence as a world power through a succession of military conflicts, and the burgeoning of a modern literary canon. This book argues that the emergence of empire and high culture needs to be more thoroughly integrated with an awareness of popular culture in urban life, a culture that at times exhibited a less than whole-hearted enthusiasm for the trappings of 'civilization', - a culture that was, in a sense, ‘decadent’. It integrates coverage of popular culture across diverse media and platforms, accentuating the emergence of new modern forms that evolved from the inter-relation between textual, visual and performative traditions such as kōdan and gidayū. The commentary is seasoned with reference to contemporary narratives, aiming to capture more ‘on the street’ perceptions of momentous events such as war and natural disasters, as well as the more arcane or curious media sensations of the moment. These included exposés of scandalous conduct in high places, new fads in popular entertainments and riveting stories of human interest whether it be crime or tragedies of modern urban living.


The Imperial Museums of Meiji Japan

The Imperial Museums of Meiji Japan
Author: Alice Yu-Ting Tseng
Publisher:
Total Pages: 304
Release: 2008
Genre: Architecture
ISBN:

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It was not until Japan's opening to the West during the Meiji period (1868-1912) that terms for "art" (bijutsu) and "art museum" (bijutsukan) were coined. The Imperial Museums of Meiji Japan documents Japan's unification of national art and cultural resources to forge a modern identity influenced by European museum and exhibition culture. Japan's Imperial Museums were conceived of as national self-representations, and their creation epitomized the Meiji bureaucracy's mission to engage in the international standards and practices of the late nineteenth century. The architecture of the museums, by incorporating Western design elements and construction methods, effectively safeguarded and set off the nation's unique art historical lineage. Western paradigms and expertise, coupled with Japanese resolve and ingenuity, steered the course of the museums' development. Expeditions by high-ranking Japanese officials to Europe and the United States to explore the burgeoning world of art preservation and exhibition, and throughout Japan to inventory important cultural treasures, led to the establishment of the Imperial Museums in the successive imperial cities of Nara, Kyoto, and Tokyo. Over the course of nearly four decades, the English architect Josiah Conder, known as "the father of modern Japanese architecture," and his student Katayama Tokuma, who became the preeminent state architect, designed four main museum buildings to house the national art collection. These buildings articulated the museums' unified mission to preserve and showcase a millennium-long chronology of Japanese art, while reinforcing the distinctive historical and cultural character of their respective cities. This book is the first English-language study of the art, history, and architecture of Japan's Imperial Museums, the predecessors of today's national museums in Tokyo, Kyoto, and Nara. The Imperial Museums of Meiji Japan examines the museums' formative period and highlights cross-cultural influences that enriched and complicated Japan's search for a modern yet historically grounded identity.


The Culture of the Meiji Period

The Culture of the Meiji Period
Author: Daikichi Irokawa
Publisher: Princeton University Press
Total Pages: 340
Release: 2020-03-31
Genre: History
ISBN: 0691209952

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The description for this book, The Culture of the Meiji Period, will be forthcoming.


Civilization and Monsters

Civilization and Monsters
Author: Gerald A. Figal
Publisher: Duke University Press
Total Pages: 310
Release: 1999
Genre: History
ISBN: 9780822324188

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Discusses the representation/role of the supernatural or the "fantastic" in the construction of Japanese modernism in late 19th and early 20th century Japan.


Late Qing China and Meiji Japan

Late Qing China and Meiji Japan
Author: Joshua A. Fogel
Publisher:
Total Pages:
Release: 2004-02
Genre:
ISBN: 9781788690164

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This book looks at the confluence between Chinese and Japanese history. Focusing on the cultural and political spheres, this volume places those relationships at center stage and presents a distinct new field of Sino-Japanese interactions that, while related to Chinese and Japanese history, has an integrity of its own.


Japanese Fashion

Japanese Fashion
Author: Toby Slade
Publisher: Berg
Total Pages: 192
Release: 2009-11-01
Genre: Design
ISBN: 1847887481

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Japanese Fashion examines the entire sweep of Japanese clothing history, from the sophisticated fashion systems of late-Edo period kimonos to the present day, providing possible theories of how Japan made this fashion journey and linking current theories of fashion to the Japanese example. The book is unique in that it provides the first full history of the last 200 years of Japanese clothing. It is also the first book to include Asian fashion as part of global fashion as well as fashion theory. It adds a hitherto absent continuity to the understanding of historical and current fashion in Japan, and is pioneering in offering possible theories to account for that entire history. By providing an analysis of how that entire history changes our understanding of the way fashion works, this book will be an essential text for all students of fashion and design.


Late Qing China and Meiji Japan

Late Qing China and Meiji Japan
Author: Joshua A. Fogel
Publisher: Eastbridge
Total Pages: 218
Release: 2004
Genre: China
ISBN: 9781891936555

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Gender and Nation in Meiji Japan

Gender and Nation in Meiji Japan
Author: Jason G. Karlin
Publisher: University of Hawaii Press
Total Pages: 330
Release: 2014-04-30
Genre: History
ISBN: 0824838270

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Gender and Nation in Meiji Japan is a historical analysis of the discourses of nostalgia in late nineteenth- and early twentieth-century Japan. Through an analysis of the experience of rapid social change in Japan’s modernization, it argues that fads (ryūkō) and the desires they express are central to understanding Japanese modernity, conceptions of gender, and discourses of nationalism. In doing so, the author uncovers the myth of eternal return that lurks below the surface of Japanese history as an expression of the desire to find meaning amid the chaos and alienation of modern times. The Meiji period (1868–1912) was one of rapid change that hastened the process of forgetting: The state’s aggressive program of modernization required the repression of history and memory. However, repression merely produced new forms of desire seeking a return to the past, with the result that competing or alternative conceptions of the nation haunted the history of modern Japan. Rooted in the belief that the nation was a natural and organic entity that predated the rational, modern state, such conceptions often were responses to modernity that envisioned the nation in opposition to the modern state. What these visions of the nation shared was the ironic desire to overcome the modern condition by seeking the timeless past. While the condition of their repression was often linked to the modernizing policies of the Meiji state, the means for imagining the nation in opposition to the state required the construction of new symbols that claimed the authority of history and appealed to a rearticulated tradition. Through the idiom of gender and nation, new reified representations of continuity, timelessness, and history were fashioned to compensate for the unmooring of inherited practices from the shared locales of everyday life. This book examines the intellectual, social, and cultural factors that contributed to the rapid spread of Western tastes and styles, along with the backlash against Westernization that was expressed as a longing for the past. By focusing on the expressions of these desires in popular culture and media texts, it reveals how the conflation of mother, countryside, everyday life, and history structured representations to naturalize ideologies of gender and nationalism.


Japan's Modern Myths

Japan's Modern Myths
Author: Carol Gluck
Publisher: Princeton University Press
Total Pages: 428
Release: 2021-07-13
Genre: History
ISBN: 0691232679

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Ideology played a momentous role in modern Japanese history. Not only did the elite of imperial Japan (1890-1945) work hard to influence the people to "yield as the grasses before the wind," but historians of modern Japan later identified these efforts as one of the underlying pathologies of World War II. Available for the first time in paperback, this study examines how this ideology evolved. Carol Gluck argues that the process of formulating and communicating new national values was less consistent than is usually supposed. By immersing the reader in the talk and thought of the late Meiji period, Professor Gluck recreates the diversity of ideological discourse experienced by Japanese of the time. The result is a new interpretation of the views of politics and the nation in imperial Japan.


Technology and the Culture of Progress in Meiji Japan

Technology and the Culture of Progress in Meiji Japan
Author: David G. Wittner
Publisher: Routledge
Total Pages: 296
Release: 2007-11-09
Genre: Business & Economics
ISBN: 1134080468

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In this book David Wittner situates Japan’s Meiji Era experience of technology transfer and industrial modernization within the realm of culture, politics, and symbolism, examining how nineteenth century beliefs in civilization and enlightenment influenced the process of technological choice. Through case studies of the iron and silk industries, Wittner argues that the Meiji government’s guiding principle was not simply economic development or providing a technical model for private industry as is commonly claimed. Choice of technique was based on the ability of a technological artifact to import Western "civilization" to Japan: Meiji officials’ technological choices were firmly situated within perceptions of authority, modernity, and their varying political agendas. Technological artifacts could also be used as instruments of political legitimization. By late the Meiji Era, the former icons of Western civilization had been transformed into the symbols of Japanese industrial and military might. A fresh and engaging re-examination of Japanese industrialization within the larger framework of the Meiji Era, this book will appeal to scholars and students of science, technology, and society as well as Japanese history and culture.