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| Author | : Roland Dollinger |
| Publisher | : Boydell & Brewer |
| Total Pages | : 326 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 1571134603 |
A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers.
| Author | : Alfred Döblin |
| Publisher | : A&C Black |
| Total Pages | : 410 |
| Release | : 2004-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780826477897 |
Alfred Döblin (1878-1957) studied medicine in Berlin and specialized in the treatment of nervous diseases. Along with his experiences as a psychiatrist in the workers' quarter of Berlin, his writing was inspired by the work of Holderlin, Schopenhauer and Nietzsche and was first published in the literary magazine, Der Sturm. Associated with the Expressionist literary movement in Germany, he is now recognized as on of the most important modern European novelists. Berlin Alexanderplatz is one of the masterpieces of modern European literature and the first German novel to adopt the technique of James Joyce. It tells the story of Franz Biberkopf, who, on being released from prison, is confronted with the poverty, unemployment, crime and burgeoning Nazism of 1920s Germany. As Franz struggles to survive in this world, fate teases him with a little pleasure before cruelly turning on him. Foreword by Alexander Stephan Translated by Eugene Jolas>
| Author | : Steffan Davies |
| Publisher | : Walter de Gruyter |
| Total Pages | : 431 |
| Release | : 2009-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 3110217708 |
Döblin’s texts, which range widely across contemporary discourses, are paradigms of the encounter between literary and scientific modernity. With their use of ‛Tatsachenphantasie’, they explode conventional language, seeking a new connection with the world of objects and things. This volume reassesses and reevaluates the uniquely interdisciplinary quality of Döblin’s interdiscursive, factually-inspired poetics by offering challenging new perspectives on key works. The volume analyses not only some of Döblin’s best-known novels and stories, but also neglected works including his early medical essays, political journalism and autobiographical texts. Other topics addressed are Döblin’s engagement with German history; his relation to medical discourse; his topography of Berlin; his aestheticisation of his own biography and his relation to other major writers such as Heine, Benn, Brecht and Sebald. With contributions in English and in German by scholars from Germany and the United Kingdom, the volume presents insights into Döblin that are of value to advanced researchers and to students alike.
| Author | : David Michael Kleinberg-Levin |
| Publisher | : SUNY Press |
| Total Pages | : 386 |
| Release | : 2013-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438447817 |
Probing study of how literature can redeem the revelatory, redemptive powers of language. In this probing look at Alfred Döblin’s 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.
| Author | : Neil H. Donahue |
| Publisher | : Camden House |
| Total Pages | : 392 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 1571131752 |
New essays examining the complex period of rich artistic ferment that was German literary Expressionism.
| Author | : Ehrhard Bahr |
| Publisher | : Univ of California Press |
| Total Pages | : 384 |
| Release | : 2008-08-08 |
| Genre | : Art |
| ISBN | : 0520257952 |
In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.
| Author | : Alfred Döblin |
| Publisher | : New York, N.Y. : Fromm International Publishing Corporation |
| Total Pages | : 668 |
| Release | : 1983 |
| Genre | : Fiction |
| ISBN | : |
Set in Berlin after Germany's defeat in World War I, Doblin makes vividly real the public and private dramas of a nation on the brink of revolution. He brings to life a fascinating cast of characters that includes both the makers of history and the historically anonymous.
| Author | : Magda Dragu |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2020-02-06 |
| Genre | : Art |
| ISBN | : 1000026221 |
This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.
| Author | : Harry T. Craver |
| Publisher | : Berghahn Books |
| Total Pages | : 294 |
| Release | : 2017-02-01 |
| Genre | : History |
| ISBN | : 178533459X |
The journalist and critic Siegfried Kracauer is best remembered today for his investigations of film and other popular media, and for his seminal influence on Frankfurt School thinkers like Theodor Adorno. Less well known is his earlier work, which offered a seismographic reading of cultural fault lines in Weimar-era Germany, with an eye to the confrontation between religious revival and secular modernity. In this discerning study, historian Harry T. Craver reconstructs and richly contextualizes Kracauer’s early output, showing how he embodied the contradictions of modernity and identified the quasi-theological impulses underlying the cultural ferment of the 1920s.
| Author | : Robert Bud |
| Publisher | : UCL Press |
| Total Pages | : 438 |
| Release | : 2018-10-10 |
| Genre | : Science |
| ISBN | : 1787353931 |
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
