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A Century of Musicals in Black and White

A Century of Musicals in Black and White
Author: Bernard L. Peterson Jr.
Publisher: Bloomsbury Publishing USA
Total Pages: 554
Release: 1993-10-25
Genre: Literary Criticism
ISBN: 0313064547

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This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.


Hollywood Musicals Year by Year

Hollywood Musicals Year by Year
Author: Stanley Green
Publisher: Hal Leonard Corporation
Total Pages: 412
Release: 1999
Genre: Music
ISBN: 9780634007651

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A chronologically arranged reference book on the Hollywood musical, with each entry including pertinent facts about a film and a brief essay about the plot and production. Includes hundreds of black & white stills.


The Great White Way

The Great White Way
Author: Warren Hoffman
Publisher: Rutgers University Press
Total Pages: 265
Release: 2014-02-18
Genre: Performing Arts
ISBN: 0813563364

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Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.


"It's getting dark on old Broadway". African American theatre of the Harlem Renaissance in search of the right direction

Author: Clare Stalder
Publisher: GRIN Verlag
Total Pages: 20
Release: 2013-04-19
Genre: Foreign Language Study
ISBN: 3656415285

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Seminar paper from the year 2011 in the subject Didactics for the subject English - History of Literature, Eras, grade: 2,0, Free University of Berlin, language: English, abstract: [...] When Gilda Gray performed "It's Getting Dark on Old Broadway" in the opening show of the song-and-dance revue Ziegfeld Follies on 5 June 1922 she eternalized Broadway's latest trend (Woll 76). Black entertainment proliferated in the Theatre District along Broadway in the 1920s and it seemed that black shows had made it into the limelight of success. There was, however, a different 'dark' side to the developments of the black performance scene. To many leading intellectuals of the Harlem Renaissance, the new darkness on Broadway looked rather bleak. Important figures like W. E. B. Du Bois who campaigned for a new racial identity through cultural creation (cf. Du Bois “Criteria of Negro Art”) feared that the new phenomenon of black productions reaching out for mainstream success would betray their cause. In his speech at the NAACP's annual conference, he famously claimed that "all Art is propaganda and ever must be" (Du Bois par. 29). Catering to the white public's demands (pars. 33, 35), as the successful Black Broadway musicals did, would mean failing the cause, according to Du Bois. While some scholars argue that theatre and performance in the New Negro era played "a pivotal role in the evolution of Black Nationalism" (Krasner 1), those are opposed by a number of authors who look upon the Harlem Renaissance as a failure (cf. Baker xiii, Neal 39, Krasner 95f.). In the following paper, I will look into the question of whether the performers and artists of the Harlem Renaissance really failed to contribute to a change of white America's attitude toward the African American race (Krasner 14). One point at issue will be whether the increasing success and commercialisation of Black theatre counteracted the objectives of racial renewal or if on the contrary, they were a means to an end. [...]


Beyond the Sound Barrier

Beyond the Sound Barrier
Author: Kristin K Henson
Publisher: Routledge
Total Pages: 176
Release: 2013-12-16
Genre: Literary Criticism
ISBN: 1136726802

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Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.


When Broadway Was Black

When Broadway Was Black
Author: Caseen Gaines
Publisher: Sourcebooks, Inc.
Total Pages: 468
Release: 2023-02-07
Genre: History
ISBN: 1728290422

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The triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever. "This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present."—Billy Porter, Tony, Grammy, and Emmy Award-winning actor "The 1920s were the years of Manhattan's Black Renaissance. It began with Shuffle Along." —Langston Hughes If Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters—and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. When Broadway Was Black is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history. Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today. Praise for When Broadway Was Black: "A major contribution to culture."—Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography "With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance."—A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker "Absorbing..."—The Wall Street Journal Previously published as Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way


Historical Dictionary of African American Theater

Historical Dictionary of African American Theater
Author: Anthony D. Hill
Publisher: Rowman & Littlefield
Total Pages: 755
Release: 2018-11-09
Genre: Performing Arts
ISBN: 1538117290

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This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.


Show Boat

Show Boat
Author: Todd Decker
Publisher: Oxford University Press
Total Pages: 328
Release: 2012-10-05
Genre: Music
ISBN: 0199968136

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Show Boat: Performing Race in an American Musical tells the full story of the making and remaking of the most important musical in Broadway history. Drawing on exhaustive archival research and including much new information from early draft scripts and scores, this book reveals how Oscar Hammerstein II and Jerome Kern created Show Boat in the crucible of the Jazz Age to fit the talents of the show's original 1927 cast. After showing how major figures such as Paul Robeson and Helen Morgan defined the content of the show, the book goes on to detail how Show Boat was altered by later directors, choreographers, and performers up to the end of the twentieth century. All the major New York productions are covered, as are five important London productions and four Hollywood versions. Again and again, the story of Show Boat circles back to the power of performers to remake the show, winning appreciative audiences for over seven decades. Unlike most Broadway musicals, Show Boat put black and white performers side by side. This book is the first to take Show Boat's innovative interracial cast as the defining feature of the show. From its beginnings, Show Boat juxtaposed the talents of black and white performers and mixed the conventions of white-cast operetta and the black-cast musical. Bringing black and white onto the same stage -- revealing the mixed-race roots of musical comedy -- Show Boat stimulated creative artists and performers to renegotiate the color line as expressed in the American musical. This tremendous longevity allowed Show Boat to enter a creative dialogue with the full span of Broadway history. Show Boat's voyage through the twentieth century offers a vantage point on more than just the Broadway musical. It tells a complex tale of interracial encounter performed in popular music and dance on the national stage during a century of profound transformations.


More Than Just Minstrel Shows

More Than Just Minstrel Shows
Author: Thomas Laurence Riis
Publisher: Brooklyn, N.Y. : Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York
Total Pages: 76
Release: 1992
Genre: Biography & Autobiography
ISBN:

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America's Musical Pulse

America's Musical Pulse
Author: Kenneth J. Bindas
Publisher: Bloomsbury Publishing USA
Total Pages: 320
Release: 1992-09-30
Genre: Music
ISBN: 0313389748

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Popular music may be viewed as primary documents of society, and America's Musical Pulse documents the American experience as recorded in popular sound. Whether jazz, blues, swing, country, or rock, the music, the impulse behind it, and the reaction to it reveal the attitudes of an era or generation. Always a major preoccupation of students, music is often ignored by teaching professionals, who might profitably channel this interest to further understandings of American social history and such diverse fields as sociology, political science, literature, communications, and business as well as music. In this interdisciplinary collection, scholars, educators, and writers from a variety of fields and perspectives relate topics concerning twentieth-century popular music to issues of politics, class, economics, race, gender, and the social context. The focus throughout is to place music in societal perspective and encourage investigation of the complex issues behind the popular tunes, rhythms, and lyrics.