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Religious Studies, Sketches and Poems

Religious Studies, Sketches and Poems
Author: Harriet Beecher Stowe
Publisher: Boston Houghton 1896.
Total Pages: 394
Release: 1896
Genre: Religion
ISBN:

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No one can read Mrs. Stowe's writings as a whole without perceiving how constant is the appeal to the religious sensibilities. Her greatest book, which took captive the humblest reader and such a genius in literature as George Sand, was in a marked degree a religious book; and again and again, even in playful scenes, there is a quick passage to the religious nature. The explanation is in the simple fact that Mrs. Stowe herself from early girlhood to her latest years was governed by religion, and it is not surprising, therefore, that an entire volume should be gathered from her writings exclusively given over to direct expression of religious feeling and thought. This edition has no illustrations.


Religious Studies, Sketches and Poems

Religious Studies, Sketches and Poems
Author: HardPress
Publisher: Hardpress Publishing
Total Pages: 396
Release: 2013-06
Genre:
ISBN: 9781314345544

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.


The Writings

The Writings
Author: Harriet Beecher Stowe
Publisher:
Total Pages: 364
Release: 1896
Genre:
ISBN:

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The Writings

The Writings
Author: Harriet Beecher Stowe
Publisher:
Total Pages:
Release: 1967
Genre:
ISBN:

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American Madonna

American Madonna
Author: John Gatta
Publisher: Oxford University Press
Total Pages: 192
Release: 1997-11-27
Genre: Religion
ISBN: 0195354605

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This book explores a notable if unlikely undercurrent of interest in Mary as mythical Madonna that has persisted in American life and letters from fairly early in the nineteenth century into the later twentieth. This imaginative involvement with the Divine Woman -- verging at times on devotional homage -- is especially intriguing as manifested in the Protestant writers who are the focus of this study: Nathaniel Hawthorne, Margaret Fuller, Harriet Beecher Stowe, Harold Frederic, Henry Adams, and T.S. Eliot. John Gatta argues that flirtation with the Marian cultus offered Protestant writers symbolic compensation for what might be culturally diagnosed as a deficiency of psychic femininity, or anima, in America. He argues that the literary configurations of the mythical Madonna express a subsurface cultural resistance to the prevailing rationalism and pragmatism of the American mind in an age of entrepreneurial conquest.