Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Celluloid Couches Cinematic Clients PDF full book. Access full book title Celluloid Couches Cinematic Clients.
| Author | : Jerrold Brandell |
| Publisher | : SUNY Press |
| Total Pages | : 264 |
| Release | : 2004-04-29 |
| Genre | : Social Science |
| ISBN | : 9780791460818 |
Looks at how therapy and the "talking cure" have been portrayed in the movies.
| Author | : Jerrold R. Brandell |
| Publisher | : SUNY Press |
| Total Pages | : 268 |
| Release | : 2004-04-22 |
| Genre | : Social Science |
| ISBN | : 9780791460825 |
Looks at how therapy and the "talking cure" have been portrayed in the movies.
| Author | : Jerrold R. Brandell |
| Publisher | : SUNY Press |
| Total Pages | : 0 |
| Release | : 2004 |
| Genre | : Psychoanalysis and motion pictures |
| ISBN | : 9780791485101 |
| Author | : A. Johnston |
| Publisher | : Springer |
| Total Pages | : 233 |
| Release | : 2014-04-02 |
| Genre | : Literary Criticism |
| ISBN | : 1137074248 |
Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.
| Author | : Skip Dine Young |
| Publisher | : John Wiley & Sons |
| Total Pages | : 268 |
| Release | : 2012-03-14 |
| Genre | : Psychology |
| ISBN | : 1119941393 |
Psychology at the Movies explores the insights to be gained by applying various psychological lenses to popular films including cinematic depictions of human behavior, the psychology of filmmakers, and the impact of viewing movies. Uses the widest range of psychological approaches to explore movies, the people who make them, and the people who watch them Written in an accessible style with vivid examples from a diverse group of popular films, such as The Silence of the Lambs, The Wizard of Oz, Star Wars, Taxi Driver, Good Will Hunting, and A Beautiful Mind Brings together psychology, film studies, mass communication, and cultural studies to provide an interdisciplinary perspective Features an extensive bibliography for further exploration of various research fields
| Author | : Mark Osteen |
| Publisher | : JHU Press |
| Total Pages | : 337 |
| Release | : 2013-01-30 |
| Genre | : Performing Arts |
| ISBN | : 1421408325 |
Classic film noir offers more than pesky private eyes and beautiful bad girls—it explores the quest for the not-so-attainable American dream. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Desperate young lovers on the lam (They Live by Night), a cynical con man making a fortune as a mentalist (Nightmare Alley), a penniless pregnant girl mistaken for a wealthy heiress (No Man of Her Own), a wounded veteran who has forgotten his own name (Somewhere in the Night)—this gallery of film noir characters challenges the stereotypes of the wise-cracking detective and the alluring femme fatale. Despite their differences, they all have something in common: a belief in self-reinvention. Nightmare Alley is a thorough examination of how film noir disputes this notion at the heart of the American Dream. Central to many of these films, Mark Osteen argues, is the story of an individual trying, by dint of hard work or, more often, illicit enterprises, to overcome his or her origins and achieve material success. In the wake of World War II, the noir genre tested the dream of upward mobility and the ideas of individualism, liberty, equality, and free enterprise that accompany it. Employing an impressive array of theoretical perspectives (including psychoanalysis, art history, feminism, and music theory) and combining close reading with original primary source research, Nightmare Alley proves both the diversity of classic noir and its potency. This provocative and wide-ranging study revises and refreshes our understanding of noir's characters, themes, and cultural significance.
| Author | : Frances Pheasant-Kelly |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2013-05-21 |
| Genre | : Performing Arts |
| ISBN | : 0857733672 |
American cinema abounds with films set in prisons, asylums, hospitals and other institutions. Rather than orderly places of recovery and rehabilitation, these institutional settings emerge as abject spaces of control and repression in which adult identity is threatened as a narrative impetus. Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, thi book analyses a range of films including One Flew Over the Cuckoo's Nest (1975), The Shawshank Redemption (1994), Full Metal Jacket (1987) and Girl, Interrupted (1999) through to cult films such as Carrie (1976) and Bubba Ho-tep (2002). In these films, locations of coherence and order become places where the internal and repressed aspects of the body, individual and social, threaten to overwhelm the individual. Identity is compromised through harsh conditions, extreme discipline, the exertion of absolute control, and above all the restriction of personal space. Symbolically infantilised, forced to reassess aspects of the adult, the only escape is through violence; the eponymous Carrie escapes from her cupboard for a massacre, the women of Girl, Interrupted mutilate and annihilate themselves and Kubrick's Gomer Pyle shoots sadistic patriarch Sergeant Hartman in the 'head'. By analysing scenes of horror and disgust within the context of abject space, Frances Pheasant-Kelly reveals how threats to identity manifest in scenes of torture, horror and psychosexual repression and are resolved either through death or through traumatic re-entry into the outside world. Bringing together contemporary theoretical debates and critical disciplines, Abject Spaces in American Cinema offers a coherent and meaningful analysis of institutonal films and shows that the chaos of the abject space cannot be resolved- only escaped. This readable and engging tour of the abject in the institution of film will be immensely valuable to students of Film Studies, Critical Theory and Cultural Studies.
| Author | : Ashton D. Trice |
| Publisher | : McFarland |
| Total Pages | : 213 |
| Release | : 2019-03-22 |
| Genre | : Performing Arts |
| ISBN | : 1476636109 |
How do we choose what movies to go see? How do we process the sounds and images of those films? How do they influence our behaviors, attitudes and beliefs after we leave the theater? Using psychology theory, this book answers these questions while considering the effects of relatively permanent personality variables, our changeable moods and the people we are with in such scenarios. It also points out areas of the study in which further work is necessary and where new concepts, such as awe and aesthetic pleasure, may further understanding.
| Author | : Robert J. Lentz |
| Publisher | : McFarland |
| Total Pages | : 366 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 0786487224 |
A marvelous actress, Gloria Grahame (1923–1981) was also an iconic figure of film noir. Her talents are showcased in several classic motion pictures of the 1940s and 1950s, including It’s a Wonderful Life, Crossfire, In a Lonely Place, The Greatest Show on Earth, The Big Heat, Oklahoma!, and The Bad and the Beautiful, for which she earned an Academy Award. This comprehensive overview of Gloria Grahame’s life and work examines each of her feature films in detail, as well as her made-for-television productions, her television-series appearances and her stage career. Also discussed are the varied ways in which Grahame’s acting performances were affected by her tumultuous personal life—which included four marriages, the second to director Nicholas Ray and the fourth to Ray’s stepson Anthony.
| Author | : Lucy Huskinson |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2014-11-27 |
| Genre | : Psychology |
| ISBN | : 1317577043 |
What can depictions of psychotherapy on screen teach us about ourselves? In Eavesdropping, a selection of contributions from internationally-based film consultants, practicing psychotherapists and interdisciplinary scholars investigate the curious dynamics that occur when films and television programmes attempt to portray the psychotherapist, and the complexities of psychotherapy, for popular audiences. The book evaluates the potential mismatch between the onscreen psychotherapist, whose raison d’être is to entertain and engage global audiences, and the professional, real-life counterpart, who becomes intimately involved with the dramas of their patients. While several contributors conclude that actual psychotherapy, and the way psychotherapists and their clients grapple with notions of fantasy and reality, would make a rather poor show, Eavesdropping demonstrates the importance of psychotherapy and psychotherapists on-screen in assisting us to wrestle with the discomfort – and humour - of our lives. Offering a unique insight into perceptions of psychotherapy, Eavesdropping will be essential and insightful reading for analytical psychologists, psychoanalysts, academics and students of depth psychology, film and television studies, media studies and literature, as well as filmmakers.
